Tag Archive: Chantal Akerman


“You don’t have to do what your mother has done / This is your life, this new life has begun/It’s your day, Woman’s Day” – Lyrics to ‘Shaking The Tree’ by Youssou N’Dour & Peter Gabriel from Youssou N’Dour’s album ‘The Lion’ (1989)

The greatest movie ever made?

My viewing habits continue to be influenced by Mark Cousins’ exhaustive (and exhausting) Women Make Film which illustrates how ignored, or underrated, women directors have been in recent years.

Among those belatedly recognizing the need for a gender rethink are the Sight and Sound film critics who went full woke and voted Chantal Akerman’s epic ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ as the greatest film of all time.. This was a controversial and, frankly, contrary choice but at least makes the case that the late Belgian director is worthy of being regarded alongside auteurs like Orson Welles and Alfred Hitchcock.

That said, the list itself has many notable omissions. No place for any of the Godfather movies plus nothing by Luis Bunuel or The Coen Brothers while ‘Daisies’, a silly, surreal and horribly dated Czech movie from the 1960s merits inclusion as a bogus ‘Feminist’ classic.

The female gaze in ‘Portrait of a Lady on Fire’

The most recent film in the Sight & Sound list is 2019’s seductive ”Portrait of a Lady on Fire’ directed by Céline Sciamma. I saw this after being hugely impressed by Sciamma’s earlier movies ‘Girlhood’ (2014) and ‘Tomboy’ (2011). Her latest movie ‘Petite Maman’ (2021) is also excellent. If you want to understand the difference between the male and female gaze, any of these movies are essential viewing.

One of my better decisions of the year was to take out a subscription to MUBI, the online streaming site that takes global and independent movies seriously.

I signed up initially to see Andrea Arnold’s ‘Cow’ which, despite all the praise, proved to be a bit of a let down. Perhaps, as a Vegan, I didn’t need to be persuaded that farm animals have feelings too! In compensation Mubi currently hosts three excellent shorts by the English director of which her Oscar winning ‘Wasp’ (2003) is the most powerful (and depressing!)

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FAVOURITE MOVIES SEEN DURING 2012

Scenes from the movie that make the biggest impression on me in 2012

I watched a lot of movies this year but not that many in the cinema and not that many new releases.

Only one of my top ten movies actually came out this year and none were made by Americans.

Mostly, I’ve been going backwards with the Sight & Sound list of the best 50 films ever made being a constant point of reference.

A common thread running through most of these movies is that glib and preconceived notions of good and evil need to be constantly challenged.

I wrote short pieces about all of these films on this blog – hit the search button to find out more about why they made such an impression on me.

1. JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES directed by Chantal Akerman (1975)
2. A SEPARATION directed by Asghar Farhadl (2011)
3. WE NEED TO TALK ABOUT KEVIN directed by Lynne Ramsey (2011)
4. COME AND SEE directed by Elem Klimov (1985)
5. SHAME directed by Steve McQueen (2011)
6. AMELIE directed by Jean-Pierre Jeunet (2001)
7. L’UOMO CHE VERRA’ directed by Giorgio Diritti (2009)
8. RASHOMAN directed by Akira Kurosawa (1950)
9. CESERE DEVE MORIRE directed by Taviani Brothers (2012)
10. UGETSU MONOGATARI directed by Kenji Mizoguchi (1953)

JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES directed by Chantal Akerman (Belgium/France 1975)

jeanneWhat pleasure can be derived, Mr. Everyman cinemagoer might ask, from a three-hour plus movie in which, save for the final ten minutes, the biggest drama comes when the protagonist overcooks some potatoes?

This is not an easy question to answer for a movie which is so particular it cannot be judged in conventional terms. An informative film essay by Ivone Marguiles describes it well as “a radical experiment with being undramatic, and paradoxically with the absolute necessity of drama”.

Pleasure is the very thing that is entirely absent from a middle-aged widow’s uneventful life which we see presented in meticulous detail over the course of a three-day period.

We watch her in real-time, washing up, preparing dinner, shopping, attending to her adolescent son and babysitting. From the tiny rituals that make up her daily routine, we come to understand how she makes sure everything is in its right place. For example, she is scrupulous about turning the lights off in a room she is not using and keeps the modest one bedroom flat clean to the point of dusting objects inside a glass cabinet. Continue reading

Hitchcock

The BFI poll gets James Stewart in a spin.

Every ten years since 1962 the British Film Institute (BFI) via Sight & Sound magazine has published a list of the fifty greatest movies ever made. This is based on the votes of critics, programmers, academics and distributors.

This decade’s poll sees Alfred Hitchcock’s Vertigo in the top spot, the first time that Orson Welles’ Citizen Kane has not been number one.

When any list like this is published, the first thing I look for is how many of these films I have  seen.

As I write, this totals just 23 so I have set myself a personal goal of seeking out the other 27 over the next few months to see what I have been missing and be in a better position to criticise the critics.

Watch this space. Continue reading