Tag Archive: Céline Sciamma


Cool quotes for movie buffs

While working on my soon to be published book on British cinema and identity I accumulated a lot of quotes about films in general.

These are some of my favourites:

Illustration from a 1922 article on “The Romantic History of the Motion Picture”: George Eastman was trying to improve the kodak when he hit on celluloid film
  • “Film is not the art of scholars but of illiterates. And film culture is not analysis, it is the agitation of the mind” – Werner Herzog
  • “The study of the film as a means to human understanding is not a mere intellectual exercise. It is part of a continuing study we have all got to make in our search for harmony in a tortured world.” – Ross McLean, Head, Films & Visual Information Division, Unesco
  • “Marginal cinema is now the only form of national cinema” – Meaghan Morris
  • “The problem is not to make political films, but to make films politically.” —Jean-Luc Godard
  • “If there’s a corridor, there’s a film” – Céline Sciamma
  • “Films that are entertainments give simple answers but I think that’s ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.” – Michael Haneke
  • “Sometimes film needs the room to dream” – David Lynch
  • ‘I’d rather people feel a film before understanding it.’ – Robert Bresson
  • “Film is a highly evocative ideological sphere. It does not reflect its time or society; instead it reinforces, moulds, twists and subverts the many truths of culture.” – Tara Brabazon
  • “The created world must obey its own logic” – V.F. Perkins

“You don’t have to do what your mother has done / This is your life, this new life has begun/It’s your day, Woman’s Day” – Lyrics to ‘Shaking The Tree’ by Youssou N’Dour & Peter Gabriel from Youssou N’Dour’s album ‘The Lion’ (1989)

The greatest movie ever made?

My viewing habits continue to be influenced by Mark Cousins’ exhaustive (and exhausting) Women Make Film which illustrates how ignored, or underrated, women directors have been in recent years.

Among those belatedly recognizing the need for a gender rethink are the Sight and Sound film critics who went full woke and voted Chantal Akerman’s epic ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ as the greatest film of all time.. This was a controversial and, frankly, contrary choice but at least makes the case that the late Belgian director is worthy of being regarded alongside auteurs like Orson Welles and Alfred Hitchcock.

That said, the list itself has many notable omissions. No place for any of the Godfather movies plus nothing by Luis Bunuel or The Coen Brothers while ‘Daisies’, a silly, surreal and horribly dated Czech movie from the 1960s merits inclusion as a bogus ‘Feminist’ classic.

The female gaze in ‘Portrait of a Lady on Fire’

The most recent film in the Sight & Sound list is 2019’s seductive ”Portrait of a Lady on Fire’ directed by Céline Sciamma. I saw this after being hugely impressed by Sciamma’s earlier movies ‘Girlhood’ (2014) and ‘Tomboy’ (2011). Her latest movie ‘Petite Maman’ (2021) is also excellent. If you want to understand the difference between the male and female gaze, any of these movies are essential viewing.

One of my better decisions of the year was to take out a subscription to MUBI, the online streaming site that takes global and independent movies seriously.

I signed up initially to see Andrea Arnold’s ‘Cow’ which, despite all the praise, proved to be a bit of a let down. Perhaps, as a Vegan, I didn’t need to be persuaded that farm animals have feelings too! In compensation Mubi currently hosts three excellent shorts by the English director of which her Oscar winning ‘Wasp’ (2003) is the most powerful (and depressing!)

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