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TWIN PEAKS: THE RETURN, PART 8.  Movies Minute By Minute  – Jeff Wood (Bloomsbury Time/Codes Series, 2025)

“Twin Peaks as The Return is the epic and serial momento mori of 20th century Americana passing through the violent taxidermy of its own hallucinatory euphoria and into the perpetually reanimating nightmare of itself, looping and glitching as violently unreal.”

The fact that the above quote is taken from the endnotes section gives a flavour of the mind-blowing quality of the text contained in the main body of this short (120 pages) but immense book. 

Jeff Wood embarks on a deep dive into the Twin Peaks universe taking the risk of drowning in the vast ocean of David Lynch’s visionary genius. The Ohio born author swims freely in the ambiguities, weirdness and complexities he discovers.

Twin Peaks’ original run in 1990 comprised two seasons and 30 episodes. Quite simply it redefined what television series could achieve in a way that modern streamers now take for granted . Season 3, promoted as a ‘A Limited Event Series” subsequently landed in 2017. Lynch and co-writer Mark Frost were given carte blanche in ‘the return’ to go with the flow, a degree of self-control that could have proved disastrous but actually resulted in 18 episodes that brilliantly expanded and enriched the narrative universe of Twin Peaks.

At its epicenter is ‘Part 8 Gotta Light? which has rightly been heralded not only as the pinnacle of the ‘show’ but on a par with the greatest of Lynch’s cinematic achievements. It’s hard to think of any of the greatest series –like, say, ‘The Wire’ or ‘Breaking Bad’ – that could be so satisfactorily encapsulated in a standalone episode lasting just 58 minutes.

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Two of the biggest movies around at the moment, both directed and starring strong-willed women, are “Wuthering Heights” (Emerald Fennell) and The Bride! (Maggie Gylennhaal) .

The first title comes with quotation marks, the second is rounded off with an exclamation point.

What can we deduce from these very deliberate uses of punctuation?

The scare quotes on the first comes as a warning that Emily Brontë’s 19th century tale of love and lust on the Yorkshire Moors is used only as a rough guide to the plot of film. There is no pretense that the original setting and storyline will be faithfully rendered. The boddice ripping frenzy captures the spirit of the novel but rides roughshod over the more nuanced details. Authenticity can go hang. 

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PILLION directed by Harry Lighton (UK, 2025)

This movie is promoted as a comedy but I can’t say I saw much to laugh about. It’s not a heavy, soul-searching drama but, at the same time, it pulls no punches in the representation of adult sexual themes.

As a straight, white cis guy (he/him!) my knowledge of BDSM is confined to what I read about or see on screen. Typically, therefore, I have been conditioned to regard bondage, discipline and sado-masochism as the stuff of fantasy and/or perversion. In contrast, dominance and submission have a lighter, more playful character and the basis for innuendoes about pegging or women on top. Certainly, the majority of allusions to these practices in movies are commonly associated with cruelty and/or criminality.

For this reason, what goes on in Pillion is genuinely eye-opening and educational. It doesn’t leave much to the imagination and is far from being a conventional love story. It’s certainly not a romcom nor is it what co-star Alexander Skarsgård has casually referred to as a ‘Dom-Com’.

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Cool quotes for movie buffs

While working on my soon to be published book on British cinema and identity I accumulated a lot of quotes about films in general.

These are some of my favourites:

Illustration from a 1922 article on “The Romantic History of the Motion Picture”: George Eastman was trying to improve the kodak when he hit on celluloid film
  • “Film is not the art of scholars but of illiterates. And film culture is not analysis, it is the agitation of the mind” – Werner Herzog
  • “The study of the film as a means to human understanding is not a mere intellectual exercise. It is part of a continuing study we have all got to make in our search for harmony in a tortured world.” – Ross McLean, Head, Films & Visual Information Division, Unesco
  • “Marginal cinema is now the only form of national cinema” – Meaghan Morris
  • “The problem is not to make political films, but to make films politically.” —Jean-Luc Godard
  • “If there’s a corridor, there’s a film” – Céline Sciamma
  • “Films that are entertainments give simple answers but I think that’s ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.” – Michael Haneke
  • “Sometimes film needs the room to dream” – David Lynch
  • ‘I’d rather people feel a film before understanding it.’ – Robert Bresson
  • “Film is a highly evocative ideological sphere. It does not reflect its time or society; instead it reinforces, moulds, twists and subverts the many truths of culture.” – Tara Brabazon
  • “The created world must obey its own logic” – V.F. Perkins

MARTY SUPREME directed by Josh Safdie (USA, 2025)

Marty Supreme represents everything that is wrong with America right now. He is a trickster, a liar, an immoral fraud and a sore loser.

Does he remind you of anyone?

When he is comprehensibly defeated by a deaf Japanese table tennis champion Koto Endo (Koto Kawaguchi) he throws a tantrum and demands a rematch implying that he was cheated out of victory. It’s hard not to think of Trump’s challenge to the 2020 election result at this point.

How are we supposed to respond to a character who is so self-centred, selfish and manipulative? Are we meant to admire his attempted power grabs and his single-minded pursuit of wealth and fame?

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