Tag Archive: Queer Cinema


PILLION directed by Harry Lighton (UK, 2025)

This movie is promoted as a comedy but I can’t say I saw much to laugh about. It’s not a heavy, soul-searching drama but, at the same time, it pulls no punches in the representation of adult sexual themes.

As a straight, white cis guy (he/him!) my knowledge of BDSM is confined to what I read about or see on screen. Typically, therefore, I have been conditioned to regard bondage, discipline and sado-masochism as the stuff of fantasy and/or perversion. In contrast, dominance and submission have a lighter, more playful character and the basis for innuendoes about pegging or women on top. Certainly, the majority of allusions to these practices in movies are commonly associated with cruelty and/or criminality.

For this reason, what goes on in Pillion is genuinely eye-opening and educational. It doesn’t leave much to the imagination and is far from being a conventional love story. It’s certainly not a romcom nor is it what co-star Alexander Skarsgård has casually referred to as a ‘Dom-Com’.

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STRANGER BY THE LAKE  directed by Alain Guiraudie (France, 2013)

stranger-by-the-lake-movie-posterThis absorbing and uncompromising movie is the kind of a psychological thriller Alfred Hitchcock might have made if he’d been gay.

It draws you into a suspenseful world and leaves you guessing about the motivations of the characters  and  questioning the morality of their actions in the same way as we do with the James Stewart roles in Vertigo and Rear Window.

In saying that, there’s not much in the way of action beyond the carnal variety.

This is a no spoilers review so I will focus on some of the broad themes rather than the twists and turns of the plot. Continue reading

THE LEATHER BOYS directed by Sidney J. Furie  (UK, 1964)

1964 The leather boys

The sixties might have swung for many but cinema’s representation of sexuality in this era was often anything but liberated.

The notion that sexual intercourse necessitates the removal of clothing is just one of the taboos filmmakers were reluctant to challenge.

An honest visual display of carnal lust and desire is controversial enough in straight relationships and is still more taboo when it comes to  homosexuality.

Even in our supposedly more enlightened 21st century, coming to terms with being gay can be unnecessarily traumatic. Ellen Page’s emotionally charged coming out speech is proof that this is still too often the “love that dare not speak its name”.

Mainstream cinema perpetuates negative attitudes by rarely treating same-sex relationships in an open or mature fashion.

The Leather Boys is regarded as an early example of ‘Queer Cinema’ and is unusual in that it tentatively tries to ‘normalise’ homosexuality instead of showing it as a threat to the moral wellbeing of society. Continue reading