Tag Archive: Hitchcock


Movies for perverts

THE PERVERT’S GUIDE TO CINEMA written and presented by Slavok Žižek (Directed by Sophie Fiennes, 2006)
the_pervert27s_guide_to_cinema

The title of this enlightening three-part documentary is eye-catching but likely to be misleading.

A pervert is someone whose sexual behaviour is considered abnormal or unacceptable but this film is not a guide for those seeking gratification from soft or hardcore porn in modern movies.

The unconventional Slovenian philosopher & psychoanalyst examines how the function of cinema is to mediate between our ‘illicit’ drives and our socially conditioned actions.

In Freudian terms, this is the internal struggle between the id and the super-ego. Žižek states provocatively  that “we need the truth of a fiction to express what we really are” or, more ambiguously, “desire is a wound of reality”.

Watching movies, he argues, is not merely an escapist pastime but an essential means by which to show how reality is constructed. Continue reading

STRANGER BY THE LAKE  directed by Alain Guiraudie (France, 2013)

stranger-by-the-lake-movie-posterThis absorbing and uncompromising movie is the kind of a psychological thriller Alfred Hitchcock might have made if he’d been gay.

It draws you into a suspenseful world and leaves you guessing about the motivations of the characters  and  questioning the morality of their actions in the same way as we do with the James Stewart roles in Vertigo and Rear Window.

In saying that, there’s not much in the way of action beyond the carnal variety.

This is a no spoilers review so I will focus on some of the broad themes rather than the twists and turns of the plot. Continue reading

THE TEXAS CHAINSAW MASSACRE directed by Tobe Hooper (USA, 1974)

The cannibals dining at home.

The cannibals dining at home.

I am not an afficiando of horror. I never made it past the first level of ‘Saw ‘and only watched ‘The Exorcist’ when I was well into adulthood.

I like psychological thrillers in the Hitchcock mode but go out of my way to avoid slasher movies or anything linked to Clive Barker. It’s not that I’m particularly squeamish or have a fear of suffering from nightmares. It is simply that I don’t see the point of watching movies where the main aim appears to be push the boundaries of good taste.

All this explains why, at the age of 55, and 40 years after it was made I have finally gotten to see The Texas Chainsaw Massacre (TCM). This movie, along with Driller Killer (which I still haven’t seen!) achieved notoriety when it was released but looks fairly tame now.  Once it was banned and branded as a corrupting influence, now I can rent it from local library in a double-DVD box set complete with a booklet praising the film as a classic, groundbreaking work.

In Italian, the movie is called ‘Non Aprite Quella  Porta’ (Don’t open that door) but this gormless gang of five young adults are opening doors willy-nilly. They sense danger and walk straight into it.

leatherrfaceThe cannibal collective are headed by the chainsaw wielding maniac Leatherface who grunts but never speaks and is surprising nifty on his feet.  He dispatches four victims so briskly that we hardly have time to feel fear on their behalf. The drawn out torture and taunting of Sally Hardesty is more the kind of sadism we’ve come to take for granted in the modern horror genre.

The claustrophobic impact of TCM  comes from its grainy, low-budget production values and the pounding industrial sound effects of the soundtrack. The blood and guts action is relatively mild with the most gruesome details being left to the imagination.

Otherwise it is sick, depraved, sexist and gratuitously violent but what’s new?

LA CITTÀ IDEALE directed by Luigi Lo Cascio  (Italy, 2012)

la città idealeLuigi Lo Cascio wrote, directed and stars in this ambitious and thought-provoking movie. He plays Michel Grassadonia, an earnest architect committed to leaving only the faintest of ecological footprints.

For instance, he conducts experiments to live without electricity and uses rain water to shower.  He also has a holier than thou attitude to those who breach the civic rules – photographing those who smoke in public buildings and reprimanding those who drop litter.

As a model citizen, he is last person you would expect to fall foul of the law, yet through a Kafkaesque series of incidents he is plunged into a complex legal process which he mistakenly thinks he can overturn by simply telling the truth. Continue reading

SILENT HILL FAILS TO IGNITE

SILENT HILL directed by Christophe Gans (USA, 2006)

Screen shot 2019-11-04 at 23.17.39This successful computer game turned confusing film is an amalgam of past horror films and psychological thrillers.

For example, the cop on their trail and the blonde woman in distress reminded me of Hitchcock, the freaky girl made me think of The Ring and the poor visibility in the abandoned Silent Hill had echoes of John Carpenter’s The Fog.

This wouldn’t necessarily be a bad thing if there was any cohesiveness between these diverse elements. But the strands are tacked together without being particularly scary,suspenseful or comprehensible.

The mother (Rose) seeks a cure for her daughter’s nightmares by ignoring everyone’s advice and taking her into a ghost town in the back end of beyond. With caring guardians like this who needs abusive parents!

In Silent Hill, she encounters monstrous figues apparently deformed by a fire that raged in the town and still burns underground (Johnny Cash’s Ring Of Fire plays on the jukebox to emphasise the flammable theme).

All the signs are that this is the devil’s handiwork, a fact that fires (geddit) a witch hunting/burning cult to purge what’s left of the town from these dark forces.

All these elements combine to provide a splatter finale where Rose somehow finds she has some suspiciously satanic powers.

The ‘look’ of the film is good but the budget clearly didn’t extend to a decent script. For instance, the mother searches for her missing child crying endlessly ‘Sharon….Sharon…SHARON!‘ while her husband searches for his missing wife crying “Rose….Rose ….ROSE”.

From what I can decipher from the ending, Rose and Sharon are either living in some parallel universe or dead. Not good either way for the husband who can sense their presence but can’t see them.

The sequel to this movie is about to be released in 3D format, titled ‘Revelation’ but I’d be more interested in Silent Hill : The Explanation.