Category: Modern Art


As the year draws to a close, a poem of Lina Bo Bardi has stayed with me since I encountered it in ‘What Freedom Means To Me’ – an inspiring celebration of the multi-screen films of Isaac Julien at Tate Britain, London this summer.

The Italian-born Brazilian architect wrote : ‘Linear time is a western invention; time is not linear, it is a marvellous entanglement where, at any moment, points can be chosen and solutions invented, without beginning or end.’

I like to think of time like this because it encapsulates the need to avoid becoming a slave to deadlines many of which are self imposed.

Taking time is important in order to be open to possibilities and free to improvise.

Two Roads Diverged

hockney

“Two roads diverged on a yellow wood,
I took the one less travelled by
And that made all the difference”

lines from ‘The Road Not Taken’ by Robert Frost.

If a biography is judged solely by its length and detail, then Blake Gopnik’s 900-page doorstopper about Andy Warhol can be safely adjudged to be definitive. But while I have no doubt that the book covers the key facts of the artist’s life, there still seems to be something missing.

Time and again, Gopnik tells us about Warhol’s shyness and social awkwardness but it is not made sufficiently clear how he still evolved to become such a charismatic and influential figure. In other words, we never get to the root of the magnetism that drew such a devoted following, particularly among life’s misfits, mavericks and outsiders. Continue reading

November 2020 was the first month since I began this blog in which I wrote precisely ZERO posts. A symbol of a dismal year. Despite this writer’s block I got more views since January 2019. Perhaps this is what Andy Warhol meant by “the synthesis of nothingness” .

(n.b. “Selecting a featured image is recommended for an optimal user experience” say the WordPress advisors but in the same Warholian spirit, I’ll pass.)

goodreads 2018.jpgSince 2014, I have set and maintained a relatively modest reading target on ‘Goodreads‘ of 50 titles a year. I find this website invaluable at the end of year when it comes to reviewing the books I’ve read.

Being gifted, and being thoroughly absorbed by, Kazuo Ishiguro’s ‘The Buried Giant’ led me to a reappraisal of the Nobel Prize Winner. Up until then, I’d read only ‘Remains Of The Day’ and hadn’t been particularly drawn to his other novels. The slow, deliberate pace and absence of colloquial language put me off but now this actually drew me in. Perhaps it’s an age thing. Ishiguro skillfully takes the reader deep into the mind and, above all, the memories of his characters. The only novel of his I haven’t read is ‘The Unconsoled’. Aside from the uncharacteristically messy ‘When We Were Orphans’, I rated all of his works very highly.

Getting fixated on this male author sabotaged my resolve to read more female writers this year. By the end of the year only 20 of the 50 were by women. Of these, my two favorite novels, one old and one new, were Sarah Waters’ quietly subversive ‘Fingersmith’ and Gail Honeyman’s funny/sad study of loneliness : ‘Eleanor Oliphant Is Completely Fine’. Continue reading