Category: Photography


When asked why I don’t join groups, I have been fond of citing Groucho Marx’s much-quoted quip that he refused to join any club that would have him as a member. This is a good line but a glib answer to a serious question. As often tends to be the case, the truth is more complicated.

It is not that I am opposed to those who join together in the name of good causes or in the pursuit of a more harmonious society. Anybody who is prepared to stand up for their beliefs deserves praise and should not be subject to cynical sniping. I accept that there is something innately reassuring about finding kindred spirits who share your world view.

So why don’t I join these noble tribes in a quest to put the world to rights?

One reason is that I have also had a marked tendency towards misanthropy.  I have read and fully acknowledge Rutger Bregman’s more charitable view of Humankind but I can’t wholly endorse his conclusions. I find myself more inclined to agree with the sentiments expressed in Nick Cave’s song ‘People Ain’t No Good’.

Another cause of my aversion to groups is my innate shyness. Put bluntly, people make me nervous! But I don’t think this is a unique or unusual feeling. Practically everyone is shy in certain situations and if they are not, they are usually the types who lack the social graces and reject accepted notions of civilized restraint.

But I think it is the common characteristics of many groups that are the main reason I stay clear of them. I would maintain that even the most fervent campaigning organisations can turn into less radical gatherings. What begins with an expression of revolutionary zeal can easily subside into cosy discussions over tea and cakes, wondering why the rest of world are not as enlightened and intelligent as you are.

But, I hear you mutter, the people united will never be divided. Heartening as this platitude may be, it is more often the case that corporate power retains its strength through unity. Social uprisings can lead to positive change but they can also result in greater suppression and tighter restrictions. In recent years, populism as an expression of collective power has morphed into state-led regimes that resemble totalitarianism.    

To stand against ‘herd mentality’ is as much of a defiant social act as bonding together under the warm glow of comradeship. I applaud the naysayers, the rebel rousers and the iconoclasts but I also value contrariness above clubbiness. That’s why I don’t join groups.  

THE STORY OF LOOKING by Mark Cousins (Canongate Books, 2017)

mark1As with his previous book – The Story Of Film (the tie-in with the brilliant Channel 4 series) , Mark Cousins acts as an articulate and able guide in the same way that E.H. Gombrich did for ‘The Story of Art’ in 1950.

Like Gombrich, the language is kept simple and jargon free in order to appeal to readers of all ages.

It’s easy to imagine Cousins carefully preparing each chapter in the same way as teachers put together lesson plans. He’ll have pack of slides to show and discuss in the classroom but he’ll be ready to shuffle these up to keep students on their toes and to relieve boredom.

There is clearly an educational purpose behind such an ambitious study but there also a desire to keep things as light, accessible and entertaining as possible. Continue reading

erwitt forliToday I visited the exhibition of Elliot Erwitt photographs at the San Dominico gallery in Forlì, Italy.

Many of the American photographer’s pictures were familiar although he is not a household name (at least not in my household).

The exhibition presents black and white + later color photos covering Erwitt’s long career – he is now 89 and still working.

Although the presentation of these images was haphazard and the audio commentary irritatingly superficial, it was well worth seeing.

Although Erwitt photographed many prominent figures, notably Marilyn Monroe, Che Guevara and John F. Kennedy it is his eye for the absurdities of everyday life that are most memorable with dogs being a frequent subject.

One of my favorite images was taken at Prado Museum in Madrid in 1995 . This shows that Francesco Goya’s reclining nude of Maja is a big hit with male gazers while the clothed image of the same woman fully clothed has a lone female viewer.

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YOUTH directed by Paolo Sorrentino (Italy, 2015)

1youth3“Youth is wasted on the young”, quipped Oscar Wilde, or was is George Bernard Shaw?

Whoever made this observation, knew something of the poignancy and sadness of growing old.

All Paolo Sorrentino’s films to date have featured elderly characters struggling to come to terms with the realisation that the best years of their lives are almost certainly behind them. Youth , despite its title, is no exception.Paradoxically, it is more about facing up to the inevitability of dying than the carefree pleasures of our ‘salad days’.

At its heart is the friendship between a retired composer Fred Ballinger (Michael Caine) and Mick Boyle (Harvey Keitel) a film director who believes that he still has at least one great film in him. Continue reading

xmas-reed+cale

Hoping your Christmas Day experience is a merrier one than that of Lou Reed & John Cale in 1977