Tag Archive: bob dylan


TWIN PEAKS: THE RETURN, PART 8.  Movies Minute By Minute  – Jeff Wood (Bloomsbury Time/Codes Series, 2025)

“Twin Peaks as The Return is the epic and serial momento mori of 20th century Americana passing through the violent taxidermy of its own hallucinatory euphoria and into the perpetually reanimating nightmare of itself, looping and glitching as violently unreal.”

The fact that the above quote is taken from the endnotes section gives a flavour of the mind-blowing quality of the text contained in the main body of this short (120 pages) but immense book. 

Jeff Wood embarks on a deep dive into the Twin Peaks universe taking the risk of drowning in the vast ocean of David Lynch’s visionary genius. The Ohio born author swims freely in the ambiguities, weirdness and complexities he discovers.

Twin Peaks’ original run in 1990 comprised two seasons and 30 episodes. Quite simply it redefined what television series could achieve in a way that modern streamers now take for granted . Season 3, promoted as a ‘A Limited Event Series” subsequently landed in 2017. Lynch and co-writer Mark Frost were given carte blanche in ‘the return’ to go with the flow, a degree of self-control that could have proved disastrous but actually resulted in 18 episodes that brilliantly expanded and enriched the narrative universe of Twin Peaks.

At its epicenter is ‘Part 8 Gotta Light? which has rightly been heralded not only as the pinnacle of the ‘show’ but on a par with the greatest of Lynch’s cinematic achievements. It’s hard to think of any of the greatest series –like, say, ‘The Wire’ or ‘Breaking Bad’ – that could be so satisfactorily encapsulated in a standalone episode lasting just 58 minutes.

Continue reading

 A COMPLETE UNKNOWN directed by James Mangold (USA, 2024)

I went to see this with a long-time Bob Dylan fan. Although he praised Timothee Chamalet’s acting and Edward Norton’s star turn as nerdy Peter Seeger, he hated the movie. I loved it.  Why the difference of opinion? 

I think for my friend no film can ever do the real Dylan (whoever that may be) justice. In this he is correct but that doesn’t make this a bad film.

 ‘A Complete Unknown’ is a good title because it is about an artist who, despite all the books, articles, films and documentaries remains a man of mystery. As Todd Hayne’s 2007 film ‘I’m Not There’  illustrates by having six different actors play Dylan, he is many different people at the same time. He is who you want him to be.

Continue reading

Rolling Thunder Revue – A Bob Dylan Story directed by Martin Scorsese (Netflix, 2019)

mv5bzjnlodjmy2qtywi3ms00nmy3ltg0nmitmjayotbiowmyngfixkeyxkfqcgdeqxvynjg2njqwmdq40._v1_The opening shot of this documentary is of a magician in a silent movie manipulating film to create a disappearing act. This illusionist sets the scene for a movie in which not all is as it seems.

It is as though Martin Scorsese has been corrupted by the example set by the incumbent and repugnant POTUS. Scorsese bamboozles viewers with post truths to the point that you are never quite sure of the line between fact and fiction. Beat poet Allen Ginsberg called Bob Dylan’s Rolling Thunder revue “a con-man carny medicine show of old” and Scorsese is more than happy to play the part of the snake oil salesman. Continue reading

Happenings 52 Years Time Ago

1966 – The Year The Decade Exploded by Jon Savage (Faber & Faber, 2015)

1966“It’s pretty obvious that contemporary music reflects contemporary life. And vice versa” wrote Tony Hall in Record Mirror in 1966. What is taken for granted now needed to be spelled out then.

Nevertheless, there are still precious few writers who able to contextualize music as expertly as Jon Savage.

When writing about Punk in 2004’s ‘England’s Dreaming’, Savage was able to draw directly from his own experiences but, as he was just 13 years old in the Summer of 1966, he is not able to rely solely on first-hand knowledge for this book. The 55 pages of source references illustrate the substantial research that lies behind this authoritative and illuminating study.

I was just 8 years old in that year so I remember even less than he does but I do recall the impact of some TV shows (e.g. Batman, The Monkees, Time Tunnel etc.) and music like The Beatles, the Motown acts and Dusty Springfield. But as far as historical events go, only England winning the soccer world cup sticks in the memory.

Most articles about the sixties paint a superficial and idealised portrait of swinging London, sexual liberation and the birth of the Woodstock generation. Savage goes deeper and reveals the darker aspects of this era and shows that it has definite parallels with the world we inhabit today.

Far from being a time of hedonism and freedom, this was a year lived under the shadow of the atom bomb and the cold war. In addition, the black civil rights movement, growing opposition to the Vietnam war, the demand for women’s liberation and the struggle for gay rights were just some of the causes that led to politicization of the youth both in America and in the UK. Add LSD to this heady cocktail and it’s easy to understand why this year was so musically explosive and accounts for how “1966 began in pop and ended with rock”. Continue reading

9e1294e6fcdbbaf68ecdf171bd269f81651a92e2“Kill yr idols” advocated Sonic Youth back in the day, an extreme strategy that is not actually an invitation to murder but a warning against putting faith in heroes. Bob Dylan meant something similar when he sang (in Subterranean Homesick Blues) “Don’t follow leaders, watch the parking meters”.

Be your own person is the implicit message. While it’s ok to admire and respect others, it’s always worth remembering that people have a nasty habit of letting you down. Keeping a healthy sense of detachment avoids being disillusioned. Far safer to set your own goals, maintain your own standards and generally search for the hero inside yourself.

Devendra Banhart is a case in point. I was a huge fan of his when he burst upon the scene under the wing of head Swan Michael Gira. 2004’s Rejoicing In The Hands remains one of my all time favorite albums and I had the good fortune to see him play songs from this and its immediate follow ups – Nino Rojo and Cripple Crow. For a while he could do no wrong in my eyes. His charm, wit and good looks added to his appeal. In short , though not quite an idol , he used to be a hero. Continue reading