1966 – The Year The Decade Exploded by Jon Savage (Faber & Faber, 2015)
“It’s pretty obvious that contemporary music reflects contemporary life. And vice versa” wrote Tony Hall in Record Mirror in 1966. What is taken for granted now needed to be spelled out then.
Nevertheless, there are still precious few writers who able to contextualize music as expertly as Jon Savage.
When writing about Punk in 2004’s ‘England’s Dreaming’, Savage was able to draw directly from his own experiences but, as he was just 13 years old in the Summer of 1966, he is not able to rely solely on first-hand knowledge for this book. The 55 pages of source references illustrate the substantial research that lies behind this authoritative and illuminating study.
I was just 8 years old in that year so I remember even less than he does but I do recall the impact of some TV shows (e.g. Batman, The Monkees, Time Tunnel etc.) and music like The Beatles, the Motown acts and Dusty Springfield. But as far as historical events go, only England winning the soccer world cup sticks in the memory.
Most articles about the sixties paint a superficial and idealised portrait of swinging London, sexual liberation and the birth of the Woodstock generation. Savage goes deeper and reveals the darker aspects of this era and shows that it has definite parallels with the world we inhabit today.
Far from being a time of hedonism and freedom, this was a year lived under the shadow of the atom bomb and the cold war. In addition, the black civil rights movement, growing opposition to the Vietnam war, the demand for women’s liberation and the struggle for gay rights were just some of the causes that led to politicization of the youth both in America and in the UK. Add LSD to this heady cocktail and it’s easy to understand why this year was so musically explosive and accounts for how “1966 began in pop and ended with rock”. Continue reading
Released in 1966, the incendiary first single by The Yardbirds is the shape of things to come.
