Tag Archive: Julian Cope


TWIN PEAKS: THE RETURN, PART 8.  Movies Minute By Minute  – Jeff Wood (Bloomsbury Time/Codes Series, 2025)

“Twin Peaks as The Return is the epic and serial momento mori of 20th century Americana passing through the violent taxidermy of its own hallucinatory euphoria and into the perpetually reanimating nightmare of itself, looping and glitching as violently unreal.”

The fact that the above quote is taken from the endnotes section gives a flavour of the mind-blowing quality of the text contained in the main body of this short (120 pages) but immense book. 

Jeff Wood embarks on a deep dive into the Twin Peaks universe taking the risk of drowning in the vast ocean of David Lynch’s visionary genius. The Ohio born author swims freely in the ambiguities, weirdness and complexities he discovers.

Twin Peaks’ original run in 1990 comprised two seasons and 30 episodes. Quite simply it redefined what television series could achieve in a way that modern streamers now take for granted . Season 3, promoted as a ‘A Limited Event Series” subsequently landed in 2017. Lynch and co-writer Mark Frost were given carte blanche in ‘the return’ to go with the flow, a degree of self-control that could have proved disastrous but actually resulted in 18 episodes that brilliantly expanded and enriched the narrative universe of Twin Peaks.

At its epicenter is ‘Part 8 Gotta Light? which has rightly been heralded not only as the pinnacle of the ‘show’ but on a par with the greatest of Lynch’s cinematic achievements. It’s hard to think of any of the greatest series –like, say, ‘The Wire’ or ‘Breaking Bad’ – that could be so satisfactorily encapsulated in a standalone episode lasting just 58 minutes.

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THE TENANT directed by Roman Polanski (USA, 1976)

Psycho Tootsie - Polanski cross dressing.

Psycho Tootsie – Polanski cross dressing.

“At what precise moment does an individual stop being who he thinks he is?”  This is the key existential question at the heart of a movie about one man’s descent into cross-dressing and insanity.

Like all the best mindfuck movies, The Tenant gets inside your head to the point that you are unsure where real fears end and paranoid illusions take over.

Set in Paris,  Polanski stars as the scrupulously polite Trelkovsky, a Polish man who gives every appearance of being an upstanding, serious-minded French citizen.

Strange things happen when he moves in to the apartment of Simone Choule, a young woman who has inexplicably attempted suicide and is not expected to live. Continue reading

BLACK SHEEP REVOLUTION BLUES

Julian H. Cope is a national treasure who thankfully shows no sign of hanging up his boots.

Further proof of his flawed/floored genius comes with the news that he and his merry band of Black Sheep are to release a DVD of a 3-day/11 gig busking tour undertaken in 2008.

Start Productions filmed the impromptu performance at  overlooked sites of historical significance in the UK.

This includes footage at the site of the Peterloo Massacre in Manchester, the Carl Jung statue in Liverpool and the place Eddie Cochrane died  interspersed with pearls of wisdom from the Archdrude of Wessex himself.

Watch the trailer for Revolution Blues below:

ZAPPA AT HOME

This is such a great shot of  Frank Zappa with parents Francis and Rosemary taken by John Olson at Frank’s home in Los Angeles in 1970.  It made me think of which other rock stars  I would like to see in a similar pose. My top three would be Julian Cope, Nick Cave and Mark E.Smith.

SCOTT FREE

I was glad to get to watch a DVD documentary of the great Scott Walker called ‘30 Century Man, a title taken from a track that appeared on Scott 3

I like the fact that instead of using only conventional interviews, director Stephen Kijak also films people listening and interacting to Scott’s albums. I could live without the thoughts of posers like Sting and Alison Goldfrapp but most of the interviewees have something interesting to contribute.

A notable absence is Julian Cope who did so much to raise Walker’s profile with the post-punk generation. Cope opted not to appear although he wrote a letter endorsing the project.

Still, if the film consisted only of talking heads basking in their own egos and repeating ad-infinitum what a genius Scott Walker is, this would be pretty tedious fare. The main coup is in getting the notoriously reticent Walker to talk so freely about his life in music and in a film crew being allowed into the studio during the recording of The Drift. Continue reading