Tag Archive: Werner Herzog


Cool quotes for movie buffs

While working on my soon to be published book on British cinema and identity I accumulated a lot of quotes about films in general.

These are some of my favourites:

Illustration from a 1922 article on “The Romantic History of the Motion Picture”: George Eastman was trying to improve the kodak when he hit on celluloid film
  • “Film is not the art of scholars but of illiterates. And film culture is not analysis, it is the agitation of the mind” – Werner Herzog
  • “The study of the film as a means to human understanding is not a mere intellectual exercise. It is part of a continuing study we have all got to make in our search for harmony in a tortured world.” – Ross McLean, Head, Films & Visual Information Division, Unesco
  • “Marginal cinema is now the only form of national cinema” – Meaghan Morris
  • “The problem is not to make political films, but to make films politically.” —Jean-Luc Godard
  • “If there’s a corridor, there’s a film” – Céline Sciamma
  • “Films that are entertainments give simple answers but I think that’s ultimately more cynical, as it denies the viewer room to think. If there are more answers at the end, then surely it is a richer experience.” – Michael Haneke
  • “Sometimes film needs the room to dream” – David Lynch
  • ‘I’d rather people feel a film before understanding it.’ – Robert Bresson
  • “Film is a highly evocative ideological sphere. It does not reflect its time or society; instead it reinforces, moulds, twists and subverts the many truths of culture.” – Tara Brabazon
  • “The created world must obey its own logic” – V.F. Perkins

What are film critics for?

THE GOOD, THE BAD AND THE MULTIPLEX. WHAT’S WRONG WITH MODERN MOVIES by Mark Kermode (Random House Books, 2011)

10304270Spare a thought for lonely film critics in the age of streaming. They are an increasingly marginalized and, some would say, dying breed.

It’s not as if we really need them anymore. Often they just ruin our entertainment by over detailed reviews of popular movies. Either that or they wind up smugly enthusing about some obscure art house ‘classic’ that only they and a few of their buddies have seen.

Mark Kermode is one of the smartest and self-aware of this endangered species so is well placed to argue for their preservation. Continue reading

Werner Herzog’s Nosferatu the Vampyre  is essentially a homage to  F.W Mumau’s 1922 classic of  expressionist cinema – Nosferatu: Phantom der Nacht (“Nosferatu: Phantom of the Night”).

Visually it is spectacular and music from Popol Vuh and Wagner and the presence of a few hundred rats help to create a creepy atmosphere. Herzog’s intention was to recreate the scary  strangeness of the original but what he ended up making was one of the most unintentionally hilarious horror movies of all time.

When I first saw it in 1979, I came out of the cinema aching from having laughed so much.

Watching it again on DVD wasn’t quite as funny but there are still plenty of reasons why it is impossible to take seriously.

For example, when estate agent Jonathan Harker (Bruno Ganz)  arrives in Transylvania, he takes refreshment at a local inn. He announces his intention to visit Count Dracula’s castle whereupon the waitress drops a bottle of wine and all the clientele stop talking and stare in horror. The owner of the inn says, somewhat superfluously, that he would advise against this trip! Continue reading