Tag Archive: Macbeth


“You don’t have to do what your mother has done / This is your life, this new life has begun/It’s your day, Woman’s Day” – Lyrics to ‘Shaking The Tree’ by Youssou N’Dour & Peter Gabriel from Youssou N’Dour’s album ‘The Lion’ (1989)

The greatest movie ever made?

My viewing habits continue to be influenced by Mark Cousins’ exhaustive (and exhausting) Women Make Film which illustrates how ignored, or underrated, women directors have been in recent years.

Among those belatedly recognizing the need for a gender rethink are the Sight and Sound film critics who went full woke and voted Chantal Akerman’s epic ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ as the greatest film of all time.. This was a controversial and, frankly, contrary choice but at least makes the case that the late Belgian director is worthy of being regarded alongside auteurs like Orson Welles and Alfred Hitchcock.

That said, the list itself has many notable omissions. No place for any of the Godfather movies plus nothing by Luis Bunuel or The Coen Brothers while ‘Daisies’, a silly, surreal and horribly dated Czech movie from the 1960s merits inclusion as a bogus ‘Feminist’ classic.

The female gaze in ‘Portrait of a Lady on Fire’

The most recent film in the Sight & Sound list is 2019’s seductive ”Portrait of a Lady on Fire’ directed by Céline Sciamma. I saw this after being hugely impressed by Sciamma’s earlier movies ‘Girlhood’ (2014) and ‘Tomboy’ (2011). Her latest movie ‘Petite Maman’ (2021) is also excellent. If you want to understand the difference between the male and female gaze, any of these movies are essential viewing.

One of my better decisions of the year was to take out a subscription to MUBI, the online streaming site that takes global and independent movies seriously.

I signed up initially to see Andrea Arnold’s ‘Cow’ which, despite all the praise, proved to be a bit of a let down. Perhaps, as a Vegan, I didn’t need to be persuaded that farm animals have feelings too! In compensation Mubi currently hosts three excellent shorts by the English director of which her Oscar winning ‘Wasp’ (2003) is the most powerful (and depressing!)

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HOMO DEUS by Yuval Noah Harari (Vintage Books, 2017)
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Subtitled ‘a brief history of tomorrow’, Harari’s sobering study of where humankind is heading envisages a future in which secular sapiens are increasingly marginalised by the by now unstoppable march of technological innovation.

It is a quirk of human nature that we all like to think of ourselves as individuals. In reading this book you’ll quickly realise that we’re not as unique and irreplaceable as we’d like to imagine.

Although each of us has a unique DNA, the evidence of our online activity proves that our goals, desires and actions follow relatively rigid and wholly predictable patterns . Continue reading

BIRDMANBIRDMAN (OR ‘THE UNEXPECTED VIRTUE OF IGNORANCE’) directed by Alejandro González Iñárritu (USA, 2014)

From the stylish opening credits and free-jazz drumming of Antonio Sanchez’s unorthodox soundtrack, this is a movie that is keen to make an immediate impression.

It is the kind of derring-do which could so easily have backfired and then been dismissed as nothing more than brash arty-fartiness. Yet Birdman postively revels in its showiness and having a excellent supporting cast, that includes Naomi Watts and Edward Norton in prime form, means that all the risks are calculated ones.

The story revolves around Michael Keaton as Riggan Thomson, one time celluloid superhero who now feels all too human as he approaches the third age. By adapting a Raymond Carver story for a Broadway show he wants revitalise his flagging career and, in the process, demonstrate that 60 is the new 30. Continue reading