Tag Archive: citizen kane


514oymgsnpl._sx323_bo1204203200_The seemingly unstoppable momentum that culminated in what many regard as the greatest movie of all time was the basis for ‘The Road To Xanadu’, the compelling first volume of Simon Callow’s four-part biography of Orson Welles.

Prior to Citizen Kane, Welles brought his radical vision and insatiable creative energy to bear on innovative radio broadcasts and ground-breaking theatre productions.

Having achieved so much at such a young age, the remainder of his career was, by common consensus, anti-climatic. Welles himself joked of his movies that he started at the top and had been working his way down ever since.

Volume 2 of his story is therefore an attempt to explain what went wrong when this larger than life actor, writer and director seemed to have the world at his feet. Continue reading

THE SILENT SUNRISE EFFECT

SUNRISE: A SONG OF TWO HUMANS directed by F.W. Murnau (USA, 1927)

Sunrise

The girl from the city leads the man from the country astray.

Some have called ‘Sunrise’ the Citizen Kane of the silent era. Like Orson Welles, F.W Murnau was given free rein and a stack of cash to realise his vision and it’s all up there on-screen to marvel at.

The German director fills the story with, for the time, innovative effects and bold studio trickery. It was also one of the first movies to be released with a specially recorded score of music and sound effects.

Is this enough to merit it being voted the greatest silent movie ever made by BFI/Sight & Sound critics, programmers and all-round cinematic smart asses?

Not in my view. Personally I’d give this honour to King Vidor’s The Crowd or Buster Keaton’s The General, but what do I know?

That said, ‘Sunrise’ does deserve a high standing for its sheer technical virtuosity and for the way it tells a simple story with such pizzazz. Continue reading

Hitchcock

The BFI poll gets James Stewart in a spin.

Every ten years since 1962 the British Film Institute (BFI) via Sight & Sound magazine has published a list of the fifty greatest movies ever made. This is based on the votes of critics, programmers, academics and distributors.

This decade’s poll sees Alfred Hitchcock’s Vertigo in the top spot, the first time that Orson Welles’ Citizen Kane has not been number one.

When any list like this is published, the first thing I look for is how many of these films I have  seen.

As I write, this totals just 23 so I have set myself a personal goal of seeking out the other 27 over the next few months to see what I have been missing and be in a better position to criticise the critics.

Watch this space. Continue reading

BEST INTERVIEW ON YOU TUBE

Here’s a poser. What is the best interview on You Tube?

By now there are thousands to choose from and more being added daily. Many of these are light hearted chats or mere publicity slots used to plug albums, books, movies etc.

An exception I recently discovered is a good series called The Alcove which may be old hat to you but is new to me.

It features an earnest, but very bright, interviewee Mark Molaro who, get this, wants his subjects to talk rather than being concerned to impose his own personality on the show.

They are a decent length too so come across as much more in depth. In other words the speakers can talk in a relaxed style without feeling they’ve got to come up with smart ass one liners all the time. There’s also no studio audience to try to impress. The success or failure of the interview depends on the wisdom and articulacy of the speaker. So far I’ve watched interviews with Naomi Klein and Greil Marcus, both of which were genuinely illuminating.

Described as “smart talk for a new global generation” the show’s other guests on an impressively diverse list include: Mark Pesce (Web technology expert); Helen Epstein, (HIV/AIDS expert & author); Byron Hurt (“Hip Hop: Beyond Beats & Rhymes”) and Naomi Wolf (“The End of America”). Interviews can also be seen on Mark Molaro’s website.

But for my money the best interview ever is a show I remember being entranced by when broadcast in the BBC Arena season in 1982. Over the course of about two hours, Orson Welles talks to Leslie Megahey about his extraordinary career which by his own admission is largely one in which he started at the top (with the Mercury Theatre and Citizen Kane) and worked his way down thereafter. Continue reading

There Will Be Blood

DD Lewis

The universal critical acclaim that greeted ‘There Will Be Blood‘ led me to expect a classic to match and even surpass ‘Citizen Kane‘. The themes of the two movies are not so dissimilar with the tale of an anti-hero driven by a single minded greed and ambition to madness and isolation.
Daniel Day Lewis is quite rivetting in the lead role of the ‘plain speaking oil man’ but ultimately having to carry the movie for over two hours proves that sometimes you can have too much of a good thing.
What really lets the film down is the abrupt and unnecessarily crude finale which looks very much as if director Paul Thomas Anderson was so intent on ending up with a dramatic closing scene that he is prepared to sacrifice the patient character study that precedes it.
It’s a fine movie but not the masterpiece its made out to be.