THE MASTER directed by Paul Thomas Anderson (USA, 2012)
I was prematurely dismissive about There Will Be Blood, Paul Thomas Anderson’s previous movie. I only really appreciated its quality and power on second viewing. I strongly suspect that the same will be true of The Master and certainly feel inclined to reserve final judgement until I’ve had chance to see it again.
The film’s opacity and lack of plot mean that there is a temptation to dismiss the universal critical acclaim it has garnered as hype and it is clear that,beyond the smart press, it has already divided ‘ordinary’ punters. It has been branded as a Marmite movie, something you’ll either love or hate.
If asked the question ‘what is it about?’, the most typical reply would be that it is a veiled study/satire of the birth of scientology but this seems a bit reductive to me. As it raises philosophical issues about the nature of madness, rationalism and existentialism, dismissing it on the grounds that there’s no narrative arc seems to me to be a superficial reading. Continue reading








