Tag Archive: Vertigo


THE BEST OFFER (La migliore offerta) directed by Giuseppe Tornatore (Italy, 2013)

The current wiki succinctly provides viewers with the bare bones of the plot of this movie by describing it as the story of “a loveless elderly man [who] intersects with an astute young man and a mysterious woman in a central European setting”.

The elderly man in question is named Virgil Oldman (‘old man’ – geddit?) and the unspecified city is probably Florence. This setting must make the fact that everyone speaks English in the original a bit weird although is less odd in the version dubbed into Italian that I saw.

Oldman is played with panache by Geoffrey Rush. He is an eccentric and mega-wealthy art dealer /auctioneer and a lifelong collector of women, albeit those safety contained on canvas and depicted by the world’s greatest portrait painters. Flesh and blood females are more of an issue and he’s not really a people person at all.

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Hitchcock

The BFI poll gets James Stewart in a spin.

Every ten years since 1962 the British Film Institute (BFI) via Sight & Sound magazine has published a list of the fifty greatest movies ever made. This is based on the votes of critics, programmers, academics and distributors.

This decade’s poll sees Alfred Hitchcock’s Vertigo in the top spot, the first time that Orson Welles’ Citizen Kane has not been number one.

When any list like this is published, the first thing I look for is how many of these films I have  seen.

As I write, this totals just 23 so I have set myself a personal goal of seeking out the other 27 over the next few months to see what I have been missing and be in a better position to criticise the critics.

Watch this space. Continue reading

THE HEADLESS WOMAN  directed by Lucrecia Martel (Argentina, 2008)

Suspense, suspicion, guilt, crisis of identity and paranoia were all vital ingredients in Alfred Hitchcock’s most memorable movies. The Headless Woman (La Mujer Sin Cabeza) contains all of these but in a deliberately reduced, even sedated, form and the one vital element that is absent is a crime.

The story revolves totally around a blonde woman (played by María Onetto) who is convinced she has killed a young boy in a car accident. Whether this happened or not remains one of a number of ambiguities in this fascinating film. Continue reading