LANARK by Alasdair Gray (Canongate, 1981)

If anybody denies that Lanark is a work of genius, that man or woman is not be trusted. If that same person says that it is a work of madness, you might concede that he or she has a point.
It is, by now, common knowledge that the line between the two concepts – genius and madness – is a fine one. Navigating life can be defined in terms of such a fine line. Imagine a tightrope walker moving between two points without the security or consolation of a safety net. On false step could prove fatal and the safest option of all is not to start the walk from point A to point B in the first place.
Fortunately, enough humans have an inbuilt drive to do things that have not been done before. Convention tends to stifle such urges but the risk takers and iconoclasts of this world may embark on journeys that no-one has contemplated.
Lanark is such a journey. It was written over the course of 25 years and eventually published in 1981 when Gray was 47. It is a work of diversity and perversity and is to Glasgow, Scotland what Jame’s Joyce’s Ulysses is to Dublin, Ireland. Continue reading

Today I visited the exhibition of Elliot Erwitt photographs at the San Dominico gallery in Forlì, Italy.
So far this year I have read two prize-winning ‘novels’ – The Sell Out by Paul Beatty (
Inspiring comparisons with the finest works of Martin Scorsese and David Lynch is a sign of how impressed I am by this magnificent movie.
‘Just what is it that makes today’s homes so different, so appealing?’ This is title of the famous Pop Art collage by English artist Richard Hamilton from 1956.
Nowadays, with the information overload, our minds have become more nimble but the major drawback of all the online zapping is that we are rapidly becoming less capable of the kind of critical thinking that makes us unique individuals.





