Category: Modern Art


 IMAGINARY CITIES by Darran Anderson (Influx Press, 2015)

 imaginary_citiesThis eloquent, ambitious, challenging and, ultimately, fascinating book was conceived in part as “a diminished non-fiction mirror” of Italo Calvino’s Le Città Invisibili (Invisible Cities).

Darran Anderson‘s guiding principle is that cities should not be defined solely in terms of its built environments but ought to be seen as states of mind which can, and should, be read : “Architecture is not simply the construction of buildings; it is the construction of space, both inner and outer”.

He asserts that “a history of ever-changing cities, whether real or unreal, must also be a history of the imagination”, adding that “the boundary between ‘real life’ architectural settings and fiction has been an intriguingly porous one”.

Whatever can be imagined can be re-imagined and cities change and evolve according to fashions and fetishes of the people. Architecture is influenced by culture and vice versa; art and life are not separate things but are indelibly linked.
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MAMbowieI was frustrated to miss the V & A Museum ‘Bowie Is’ exhibition in London three years ago so was delighted that it has been temporarily relocated to a city to my home in Emilia-Romagna. It is on at Bologna’s MAMbo until 13th November 2016.

Of course, the death of David Bowie earlier this year casts a black star over the event but this also puts into true perspective the enormous contribution he made to the fields of music, fashion and art. Continue reading

Life beyond The La’s

THE RHYTHM & THE TIDE by Mike Badger & Tim Peacock  (Liverpool University Press, 2015)
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As founder member of The La’s, Mike Badger is no stranger to interview requests. However, more often than not it’s not his version of events journalists actually want to hear. All too frequently, his insights are edited out from the story of a band who could have been to Liverpool what Oasis are to Manchester but instead ended up being regarded as  little more than one-hit wonders.

Subtitled ‘Liverpool, The La’s and Ever After’, The Rhythm & The Tide finally gives Badger the opportunity to explain how he overcame early disillusionment to forge a modest yet varied and fulfilled career as a musician. artist and record label founder. Above all, this is the tale of a man with no axes to grind but a compelling story to tell. Continue reading

We are all explorers

Dechirico Siamo esplratori pronti per una nuove partenze“We are explorers ready for fresh beginnings”. This quote alongside Giorgio de Chirco’s Metaphysical Muse painting from 1918 can currently be seen at an inspiring exhibition at  Palazzo dei Diamanti in Ferrara (it ends on 28th February 2016).

It serves both as an illustration of the Italian surrealist painter’s restless yet hopeful spirit and is as good a message as any to end another year on the planet.

Heaven knows, we all need to find something fresh, joyous and innovative in a world that constantly appears on the brink of irreversible disaster.

The Dadaists and Surrealists got it right, I think, when they concluded that the subconscious mind reveals more truth about being and nothingness than any rational analysis can provide.

Image based on the top 30 words used in songs based on 1 million recordings.

In this year’s  BBC John Peel lecture, Brian Eno said that one of the failings of modern-day music critics is that they pay too much attention to song lyrics. As part of Roxy Music, Eno played on two of the greatest pop singles of all time – Virginia Plain and Pyjamarama – where the words add to the atmosphere but when considered apart from the music are ,at best, enigmatic, at worst, plain jibberish.

Even when songs do have an obvious meaning or tell a story, they should not be viewed in the same way as poems or works of fiction. This is why the ‘Rock In Translation’ slot of Italy’s Virgin Radio makes for such a torturous listening experience. On this, a woman earnestly reads the translated lyrics to popular tunes as though she were helping to impart some meaningful insight into the human condition. Lines in the vein of “come on baby rock me all night long” are rendered into Italian as though they were some kind of profound comments on the nature of loving relationships. Continue reading