Tag Archive: Krautrock


ALL GATES OPEN. THE STORY OF CAN by Rob Young (Faber & Faber, 2018)

All-Gates-OpenThis is a long overdue, but slightly disappointing, study of the career and legacy of a remarkable and unique Krautrock band.

Author Rob Young’s approach is workmanlike although perhaps a little too much in awe of his subject matter. That said, he is well qualified for the task of writing the band’s biography since as he has written articles and conducted interviews over the years, mostly for The Wire magazine.

Gaining access to the inner sanctum of Can’s rehearsal /recording spaces gave him some insights into how their sound was created but despite his thorough research and analysis, the band remain wonderfully enigmatic. Continue reading

The prettiest stars of Glam Rock

SHOCK AND AWE – GLAM ROCK AND ITS LEGACY by Simon Reynolds (Faber & Faber,2016)

“Got your mother in a whirl ‘cos she’s not sure if you’re a boy or a girl” – David Bowie (Rebel Rebel)
“Even the greatest stars live their lives in the looking glass” – Kraftwork (Hall Of Mirrors)
“There’s something in the air of which we will all be aware yeah yeah yeah yeah yeah” – Sweet (Teenage Rampage)
“Whatever happened to the heroes?”- The Stranglers (No More Heroes)

glamIt’s fair to say Glam Rock has never really been taken all that seriously. Being casually dismissed as a joke genre is partly what drove Simon Reynolds to write this impressively weighty tome.

In so doing, he proves that this musical phenomenon deserves to be more than just an amusing footnote in the story of popular music. The author doesn’t claim that all the music tagged as Glam (or Glitter is you’re American) is of a universally high standard yet, even at its most crass and commercial, Reynolds endorses the viewpoint of Noel Coward who once wryly observed : “It’s extraordinary how potent cheap music is”. Continue reading

MAMbowieI was frustrated to miss the V & A Museum ‘Bowie Is’ exhibition in London three years ago so was delighted that it has been temporarily relocated to a city to my home in Emilia-Romagna. It is on at Bologna’s MAMbo until 13th November 2016.

Of course, the death of David Bowie earlier this year casts a black star over the event but this also puts into true perspective the enormous contribution he made to the fields of music, fashion and art. Continue reading

WHITE HILLS IN RAVENNA

WHITE HILLS live at the Bronson Club, Ravenna, Italy – 23rd April 2015

White Hills got a cameo spot in Jim Jarmusch’s Vampire flick ‘Only Lovers Left Alive’ and being a cult band in a cult movie is as close to superstardom as they are likely to get.

Undeterred by a lack of mass following, they continue to put out great albums, the latest Walks For Motorists (which I reviewed for Whisperin’ & Hollerin), is well represented in the show tonight. From it, they kick off with the punchy No Will which morphs into the motorik drone of Lead The Way. Continue reading

EARTHBOUND by Paul Morley (Penguin Books, 2013)

By common consensus Paul Morley is a pretentious tosser and, moreover, he knows it.

He was a weekly source of irritation during his tenure at New Musical Express from 1977 – 1983 but somehow his pieces were impossible to ignore.

His self-consciously provocative style was exasperating but I have to concede that the man can write. With the benefit of hindsight, I think he was providing a valuable service to NME readers by making the point that writing about music is always subjective and personal.

When we listen to recordings or find bands, we bring our own baggage which includes plenty of prejudices and preconceptions. We can never hear these sounds in a vacuum; our responses are coloured by our mood, background and the space in which we experience the music.

In Earthbound, Morley admits that his articles would “seem to be about one thing and then half way through, start to be about something else altogether” and this book follows much the same pattern.

The book is one of twelve pocket-sized Penguin paperbacks inspired by a different tube line to celebrate 150 years of the London Underground. They are intended to illustrate how, although we are all connected in some way, the space we live in shapes our imagination in different ways. Continue reading