Tag Archive: dystopia


KLARA AND THE SUN by Kazuo Ishiguro(US: Alfred A. Knopf; UK:Faber & Faber, 2021)  A spoiler-free review.

One of the characters in Sir Kazuo Ishiguro’s eighth novel says “It’s not faith you need. Only rationality.” Yet, while never undermining the importance of pure science, Ishiguro is primarily concerned with how humanity and machines can co-exist healthily.

Although, ‘Klara and the Sun’ will be classified as a work of Science Fiction, he, like Ian McEwan is not fundamentally aiming to write within this specific genre. McEwan’s flawed ‘Machines Like Me’ failed because he introduced elements of political satire into the story and it was also obvious that he had only a superficial interest in exploring the moral dilemmas surrounding Artificial Intelligence. Ishiguro is more disciplined and doesn’t allow himself to be distracted by wider social issues or to stray too far off topic. Continue reading

WALKAWAY – a novel by Cory Doctorow (Head Of Zeus, 2017)

220px-walkaway_28a_cory_doctorow_novel29_book_coverWhat is it that derails dreams of utopia and resigns us to the notion that the future is fated to turn out dystopian? Cory Doctorow‘s ambitious and entertaining novel doesn’t provide any definitive answers to this plight but asks plenty of thought-provoking questions.

The problems of the soul-corroding world of work in the modern world are vividly described by Doctorow as one character  remembers a daily routine consisting of “early mornings crunched on meaningless deadlines with the urgency of a car-crash for no discernible reason”.

Cory Doctorow poses the question : If another world to this is possible, what would it be like? His answer comes in the form of a utopian vision of a “better nation” which takes the sociopolitical aims of the Occupy Movement to their logical conclusion. Continue reading

 IMAGINARY CITIES by Darran Anderson (Influx Press, 2015)

 imaginary_citiesThis eloquent, ambitious, challenging and, ultimately, fascinating book was conceived in part as “a diminished non-fiction mirror” of Italo Calvino’s Le Città Invisibili (Invisible Cities).

Darran Anderson‘s guiding principle is that cities should not be defined solely in terms of its built environments but ought to be seen as states of mind which can, and should, be read : “Architecture is not simply the construction of buildings; it is the construction of space, both inner and outer”.

He asserts that “a history of ever-changing cities, whether real or unreal, must also be a history of the imagination”, adding that “the boundary between ‘real life’ architectural settings and fiction has been an intriguingly porous one”.

Whatever can be imagined can be re-imagined and cities change and evolve according to fashions and fetishes of the people. Architecture is influenced by culture and vice versa; art and life are not separate things but are indelibly linked.
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LIVING WITH A CHIP IN THE HEAD

FEED by M.T. Anderson (Candlewick Press, 2002)
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Ever get the feeling that you are just part of the machinery?

Do you  have the sensation that information is accessing you NOT vice versa?

If you cannot categorically answer a defiant NO  to either of these questions then maybe Feed is the novel for you.

The publishers also think that you need to be a ‘Young Adult’ , or at least a mature teenager, to be classified as one of its target audience but I’d say the arguments are applicable to all ages. Continue reading

ORYX & CRAKE by Margaret Atwood (Vintage Press, 2009)  –  MaddAddam Trilogy #1

The world of Oryx  &  Crake resembles a corrupted and desolate Garden of Eden.  There’s plenty of irony and black humour but ultimately this is a bleak dystopian vision of the near future.  Planet Earth is in a sorry state wherein “The whole world is now one vast controlled experiment”. 

Against a backdrop of thinly veiled class conflict between the privileged world of the ‘Compounds’  and  the dispossessed zones of the Pleeblands, we take no encouragement from re-engineered humans (Children Of Crake) who are little more than benign zombies.

Margaret Atwood throws in a plethora of apocalyptic elements, any one of which would be enough to strike the death knell for humanity.  Taken all together this looks like being the end of the world as we know it. Continue reading