Tag Archive: Pop Art


hamilton-appealing2‘Just what is it that makes today’s homes so different, so appealing?’ This is title of  the famous Pop Art collage by English artist Richard Hamilton from 1956.

In it we see a body builder, a fashion model, a portrait of an unidentified Victorian man ,  a ‘young romance’ magazine cover, a hoover ad, a TV and a reel to reel tape recorder.

Hamilton’s image playfully mocks the way in which the saturation of  media imagery influences the way we make our lifestyle choices.

Sixty years on, the satire looks fairly mild and humorous rather than disturbing. The world wide web has changed everything. TV and dumb magazine advertisements are the least of our worries.

51c31n5as0lNowadays, with the information overload, our minds have become more nimble but the major drawback of all the online zapping is that we are rapidly becoming less capable of the kind of critical thinking that makes us unique individuals.

Nowadays, by the time kids reach 18 it is estimated that will have seen 500 hours of advertising spots while they will have spent just 5 thousand hours reading books.

Should we be concerned about this?  Derrick de Kerckhove a Canadian born professor and disciple of Marshall McLuhan, thinks so.

The statistics about what he calls the “always-on hyperkids of today” are taken from de Kerckhove’s  The Augmented Mind (40k, 2011).

In this short but cogently argued book he details how the rapid transformation of the digital world has re-wired our brains and fundamentally altered our behavior. One consequence of this is that “people are gradually delegating their capacity for imagining things on their own to processes that do their imagining for them”.  Continue reading

The final peer-assessed assignment for Coursera MOOC on Andy Warhol run by Edinburgh University was to write between 650-750 words to describe, discuss and evaluate a piece of Warhol’s work. This is what I wrote:

Warhol Electric Chair 1964

Andy Warhol always struck the pose of an artist who chanced upon an image in much the same way that a child might discover a striking picture in a glossy magazine.

Yet a sparse and evocative photograph of an electric chair hardly seems to be a random choice. A real photograph carries a weight of fact, even though it can be deciphered in various ways.

Warhol’s image was adapted from a 1953 photograph taken at Sing-Sing Gaol in New York and produced in 1964. It was presented to the Tate Modern in London by Janet Wolfson de Botton in 1996. The medium is screen print and acrylic paint on a canvas sized 562 x 711 mm.

Warhol subsequently re-used the photo for a series of fourteen prints in different colour combinations but this particular one has a muddy, minimalistic colour scheme almost as if the picture has deteriorated with age. An unwitting viewer might therefore mistake it for a torture instrument from a bygone era rather than a killing machine which is still in use in many parts of the USA, albeit on a reduced scale. Continue reading