Tag Archive: Francis Bacon


The final peer-assessed assignment for Coursera MOOC on Andy Warhol run by Edinburgh University was to write between 650-750 words to describe, discuss and evaluate a piece of Warhol’s work. This is what I wrote:

Warhol Electric Chair 1964

Andy Warhol always struck the pose of an artist who chanced upon an image in much the same way that a child might discover a striking picture in a glossy magazine.

Yet a sparse and evocative photograph of an electric chair hardly seems to be a random choice. A real photograph carries a weight of fact, even though it can be deciphered in various ways.

Warhol’s image was adapted from a 1953 photograph taken at Sing-Sing Gaol in New York and produced in 1964. It was presented to the Tate Modern in London by Janet Wolfson de Botton in 1996. The medium is screen print and acrylic paint on a canvas sized 562 x 711 mm.

Warhol subsequently re-used the photo for a series of fourteen prints in different colour combinations but this particular one has a muddy, minimalistic colour scheme almost as if the picture has deteriorated with age. An unwitting viewer might therefore mistake it for a torture instrument from a bygone era rather than a killing machine which is still in use in many parts of the USA, albeit on a reduced scale. Continue reading

OF MAGGOTS AND MEN

BATTLESHIP POTEMKIN directed by Sergei Eisenstein (Russia, 1925)

Original poster for Battleship Potemkin by Vladimir & Georgii Sternberg.

How can this be one of the greatest movies ever made? – it’s silent and it’s in black and white FFS!

This, I hasten to add, is not my personal opinion but the kind of comment you might stumble upon if you click on clips or  watch the full movie on You Tube.

Educating the lumpenproletariat is going to take longer than expected, and, stirring though Eisenstein’s images are, his film was not, nor ever will be, the revolutionary stimulus he hoped for.

This film nevertheless is rightly celebrated for turning propaganda into art. Eisenstein tweaks the facts by taking one real historic event and inventing another with the direct aim of inciting rebellion against Tsarist corruption and oppression.

Continue reading

I was sorry to miss the recent retrospectives of Francis Bacon’s work at Milan and London. I’ve only ever seen Bacon originals in the Tate Gallery’s permanent collection.

Despite my limited knowledge about the full body of his work, he’s a figure I’ve always been intrigued by.  I think it is  the unflinching way he confronts the darker side of humanity which I find so fascinating. Being a miserablist at heart I can relate to his unsentimental view of life as consisting of  “a mere spasm of consciousness between two voids”.

Bacon was an atheist, homosexual, drinker, drifter and gambler. He was also one of the greatest artists of the 20th century who achieved everything on his own terms. Continue reading

HIRST’S TASTE FOR BACON


Damien Hirst has been comissioned to produce the cover to 150th anniversary edition of Charle’s Darwin’s ‘Origin of the Species’.

Maybe they caught him on a day when he was lacking in fresh ideas because his ‘Human Skull In Space’ owes more than a little to fellow bad boy of art Francis Bacon.

Hirst has made no secret in the past of his admiration for Bacon so it wouldn’t have hurt him to acknowledge the source of his ‘inspiration’.

In Francis Bacon’s ‘Number VII from Eight Studies for a Portrait’ from 1953, there’s more flesh on the bone and no space age spots but the similarities are pretty obvious I think.

Hirst wrote about his excitement at getting the commission in a short piece for the Guardian. It’s worth checking the numerous caustic comments – not too many seem enthusiastic about the piece. I wonder why?

I submitted a copy of this post to the excellent site  ‘You Thought We Wouldn’t Notice’