Tag Archive: Damien Hirst


Olympics closing ceremony

Old wild man seemingly reduces young pop star to a state of ecstasy.

Danny Boyle’s inspired Isles of Wonder ceremony which opened the London Olympics had a clearly defined theme and purpose – using music to celebrate the nation’s achievements and to restore Team GB’s standing in the world.

The only brief for the closing ceremony seemed to be that this so-called ‘Symphony of British Music’ should cobble together whatever performers they could get hold of to make an ‘aftershow party’ with a global impact.

Sadly, the vibrant choreography and state of the art lighting  couldn’t mask the lack of genuine substance to Kim Gavin’s show. Lord Seb Coe saying beforehand that “it’s not anything desperately profound” turned out to be a massive understatement.

What was lost amid all this faux-nostalgia was the achievement of the athletes themselves who were shuffled into the stadium  en masse to take their place in Damien Hirst’s gigantic union jack while Elbow sang a couple of songs that sounded more dirgey than celebratory. Once trapped in the arms of the stadium flag they were a captive audience to a show that all but ignored their efforts over the previous two weeks. Continue reading

“Mother and Child Divided”

‘It’s amazing what you can do with an E in A-Level art, a twisted imagination and a chainsaw.’ – Damien Hirst acceptance speech after winning the Turner Prize 1995.

In Channel 4’s entertaining documentary about Hirst’s current retrospective at London’s Tate Modern the controversial artist looked disconcertingly like Phil Collins and was keen to show that he’s still an ordinary diamond geezer.

His obsession with death is obvious from his works although he revealed that he has never seen a dead body of anybody he was close to.

Presenter Noel Fielding established to no great surprise that Hirst does not believe in God but holds that “all art is about immortality” and he said “my belief in art is religious”.

He has moved on from dead sharks, sheep and cows and currently favours butterflies which symbolise hope because they look alive even when they’re dead.

HIRST’S TASTE FOR BACON


Damien Hirst has been comissioned to produce the cover to 150th anniversary edition of Charle’s Darwin’s ‘Origin of the Species’.

Maybe they caught him on a day when he was lacking in fresh ideas because his ‘Human Skull In Space’ owes more than a little to fellow bad boy of art Francis Bacon.

Hirst has made no secret in the past of his admiration for Bacon so it wouldn’t have hurt him to acknowledge the source of his ‘inspiration’.

In Francis Bacon’s ‘Number VII from Eight Studies for a Portrait’ from 1953, there’s more flesh on the bone and no space age spots but the similarities are pretty obvious I think.

Hirst wrote about his excitement at getting the commission in a short piece for the Guardian. It’s worth checking the numerous caustic comments – not too many seem enthusiastic about the piece. I wonder why?

I submitted a copy of this post to the excellent site  ‘You Thought We Wouldn’t Notice’