Tag Archive: Glasgow


LANARK by Alasdair Gray (Canongate, 1981)

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If anybody denies that Lanark is a work of genius, that man or woman is not be trusted. If that same person says that it is a work of madness, you might concede that he or she has a point.

It is, by now,  common knowledge that the line between the two concepts – genius and madness – is a fine one. Navigating life can be defined in terms of such a fine line. Imagine a tightrope walker moving between two points without the security or consolation of a safety net. On false step could prove fatal and the safest option of all is not to start the walk from point A to point B in the first place.

Fortunately, enough humans have an inbuilt drive to do things that  have not been done before.  Convention tends to stifle such urges but the risk takers and iconoclasts of this world may embark on journeys that no-one has contemplated.

Lanark is such a journey. It was written over the course of 25 years and eventually published in 1981 when Gray was 47. It is a work of diversity and perversity and is to Glasgow, Scotland what Jame’s Joyce’s Ulysses is to Dublin, Ireland. Continue reading →

LOVING THE ALIEN

UNDER THE SKIN directed by Jonathan Glazer (UK,USA, 2013)

ScarlettThe greatest movies are those that discretely change your perception of the world. Inspiring auteurs like Alfred Hitchcock and David Lynch play upon the voyeuristic nature of cinema and their strength of their vision lies in drawing the viewer into the kind of dark and sinister worlds ‘normal’ citizens would go out of our way to avoid. Jonathan Glazer can safely be added to this exclusive director’s club.

Under The Skin is loosely based on Michel Faber’s brilliant and disturbing debut novel. The operative word here is ‘loosely’ because so much of the plot has been changed it almost amounts to a different story entirely. The Scottish setting is the same but otherwise the divergences far outweigh the similarities. Even so, the movie captures the essence of the novel by being faithful to the atmosphere if not the details.

In the novel the alienated alien, Isserley, is described as “half Baywatch babe, half little old lady” which is hardly a description that applies to Scarlett Johansson who still manages to look sexy despite wearing a scraggy black wig and manky fur jacket. In fact Glazer makes sex the chief way in which the solitary males are lured to their fate; they don’t have to be drugged.

The movie is seriously creepy although not as explicitly horrific as the book. The victims disappear into a strange liquid, a symbolic and seemingly painless death which is a happy death compared to the nightmarish process of being turned into braised meat that Faber describes. Continue reading →

DAVID KEENAN INTERVIEW

DAVID kEENAN

Interview with David Keenan

(Volcanic Tongue, Glasgow June 8th 2007)

David Keenan is credited with introducing the genre New Weird America into the public domain. It turns out Wire editor Tony Herrington came up with the term as a way to draw together the diverse set artists David was writing about for a cover feature about the Brattleboro Free Festival.

A lot of sounds have passed our way since then but the label has stuck and is as good a way as any to identify strands experimental music that don’t slot neatly into existing headings. Continue reading →