Tag Archive: Volcanic Tongue


Really saddened to hear that Tom Carter of the duo Charalambides was taken critically ill with pneumonia while on tour  in Europe. He is currently in intensive care in hospital in Berlin.

Charalambides were one of the first bands that symbolised all that is great about the free folk movement that, for better or worse, has been grouped under the umbrella label New Weird America. I set up a group in their honour on Last.Fm.

Glasgow’s Volcanic Tongue record store  have established a page where they will post regular updates on his condition.

All the proceeds from titles featuring Tom and Christina Carter or Charalambides sold by VT will go direct to Tom and his family as well as all sales of releases on Blackest Rainbow Recordings.

For more details please go here: http://volcanictongue.com/tomcarterappeal.

PART WILD HORSES MANE ON BOTH SIDES

pwhmbsWho can resist artists who call themselves Part Wild Horses Mane On Both Sides? The performers in question are a flute and drum improv duo from Lyon, namely Kelly Jones and Pascal Nichols.

Nichols is in the same mould as inspired Free Folk drummers Chris Corsano and Alex Neilsen and together with Jones the sound they make has been dubbed as ‘flute skronk’ and ‘avant-primitivism’  but is actually less abrasive than these labels imply.

There are elements of Japanese minimalism, Krautrock and tribal freakiness in the same league as No Neck Blues Band or Sunburned Hand Of The Man. Pretty great, in other words.

PWHMOBS have been championed by David Keenan of Volcanic Tongue and The Wire magazine which is is fine if you can stand his stoked out style from the Julian Cope school of rock journalism. In pondering whether Punk Jazz might be the best label for the French pair, Keenan writes : “she [Kelly Jones] works revenant echoes of ethnic motifs into the mix without ever falling into the shamen-in-tie-dyed-pyjamas schtick of so many would-be jazz ’mystics”.

As their chosen moniker suggests, Part Wild Horses Mane On Both Sides ( aTai-Chi move) are not setting out for mass accessibility and they have a thing about wood it seems.  A 2009 CD-R was charmingly entitled ‘Anus Carved Into Wood’ and their latest (All Cows Are Sacred) comes in a hand-numbered edition of 123 complete with the  disc (in a felt pocket)  affixed to a 6″ x 6″ plank.

You can hear the duo with some online digging. Physical copies are, needless to say, harder to come by, but digital versions are floating in Cyberspace. Poisson I found here .

DAVID KEENAN INTERVIEW

DAVID kEENAN

Interview with David Keenan

(Volcanic Tongue, Glasgow June 8th 2007)

David Keenan is credited with introducing the genre New Weird America into the public domain. It turns out Wire editor Tony Herrington came up with the term as a way to draw together the diverse set artists David was writing about for a cover feature about the Brattleboro Free Festival.

A lot of sounds have passed our way since then but the label has stuck and is as good a way as any to identify strands experimental music that don’t slot neatly into existing headings. Continue reading

ALEX NEILSON

Alex-NeilsonAlex Neilson is my new hero.

He must be in his 20s but he looks about 13. He was born in Leeds but now lives in Glasgow. He is a drummer of immense natural talent. He also has aspirations as a singer of folk ballads.

The list of those he has played with is like a check list of cutting edge underground artists and includes Jandek, Richard Youngs, Ashtray Navigations, Vibracathedral Orchestra, Will Oldham, and Alasdair Roberts. A connection between these acts is that all broadly use Folk as a point of entry but then take the music into new realms – in other words into the sphere of the ‘New Weird’.

His style of playing was well described by David Keenan in May 2007: “In Neilson’s playing there is truly no past or future, simply Now over and over. Just one movement of his hands and then the next”. Alex was part of David’s Tight Meat Duo/Trio and until recently he worked in the Volcanic Tongue record shop run by Keenan with Heather Leigh Murray so this endorsement may be thought of a little biased, however, as an independent party I can vouch for this judgement.

I first saw Alex performing with Will Oldham (Bonnie ‘Prince’ Billy) in Faenza (see my review here). He made a good impression then but the show I saw him play last night in Ravenna was even more memorable. He played with Six Organs Of Admittance which for this gig also consisted of Mr. Six Organs Ben Chasny and Chasny’s latest flame/collaborator Elisa Ambrogio of Magik Markers. Alex’s technique and energy was something to behold. Behind the drum kit he seems a man possessed – his playing looked controlled yet free at the same time. It is musicianship which, for one of his projects Directing Hand (with Vinnie Blackwall on wordless vocals and harp), is neatly summed up as “ecstatic improvisation”.

I spoke briefly with Alex after the gig last night – mainly to give gushing praise for his amazing performance. He told me that he is currently setting up a band which will include Ben Reynolds and be focused on what he called sentimental ballads. Ben and Alex are currently playing as part of Baby Dee’s backing band.

The new band will be called ‘Trembling …..???’ (i didn’t catch it all) and sounds an interesting avenue for a young artist with amazing talent and huge potential.

There’s a good interview with Alex in Stylus online magazine

onward to the home of the drone

piper

Just about to set off for the home of the drone and land of the bravehearts – a long weekend in Glasgow. Looking forwards to my first visit to Volcanic Tongue record store and some vegetarian haggis.

Just a thought – when Scots say they want to need to take a short comfort break do they ever say : “Och ! Ahrm away for a wee wee wee” . Hopefully this and other celtic mysteries will be resolved during my stay .