Tag Archive: Richard Youngs


ALBUM COVER

Up until now, Ben Reynolds‘ solo albums have been a mixed bag.

Drone orientated pieces with titles like ‘O Time Thy Pyramids'(on ‘O Joy & Beyond) or ‘The Bard’s Vision Over Stinking Fires’ (on ‘Silver Songs’) left little doubt of his skills or his experimental intentions but somehow lacked a real heart, coming across too often as exercises in style rather than genuinely expressive.

They are interesting and sporadically striking works but Reynolds’ personality seemed strangely hidden.

This cannot be said of his beautiful new album – ‘Two Wings’ out now on Strange Attractors Audio House. Continue reading

ALEX NEILSON

Alex-NeilsonAlex Neilson is my new hero.

He must be in his 20s but he looks about 13. He was born in Leeds but now lives in Glasgow. He is a drummer of immense natural talent. He also has aspirations as a singer of folk ballads.

The list of those he has played with is like a check list of cutting edge underground artists and includes Jandek, Richard Youngs, Ashtray Navigations, Vibracathedral Orchestra, Will Oldham, and Alasdair Roberts. A connection between these acts is that all broadly use Folk as a point of entry but then take the music into new realms – in other words into the sphere of the ‘New Weird’.

His style of playing was well described by David Keenan in May 2007: “In Neilson’s playing there is truly no past or future, simply Now over and over. Just one movement of his hands and then the next”. Alex was part of David’s Tight Meat Duo/Trio and until recently he worked in the Volcanic Tongue record shop run by Keenan with Heather Leigh Murray so this endorsement may be thought of a little biased, however, as an independent party I can vouch for this judgement.

I first saw Alex performing with Will Oldham (Bonnie ‘Prince’ Billy) in Faenza (see my review here). He made a good impression then but the show I saw him play last night in Ravenna was even more memorable. He played with Six Organs Of Admittance which for this gig also consisted of Mr. Six Organs Ben Chasny and Chasny’s latest flame/collaborator Elisa Ambrogio of Magik Markers. Alex’s technique and energy was something to behold. Behind the drum kit he seems a man possessed – his playing looked controlled yet free at the same time. It is musicianship which, for one of his projects Directing Hand (with Vinnie Blackwall on wordless vocals and harp), is neatly summed up as “ecstatic improvisation”.

I spoke briefly with Alex after the gig last night – mainly to give gushing praise for his amazing performance. He told me that he is currently setting up a band which will include Ben Reynolds and be focused on what he called sentimental ballads. Ben and Alex are currently playing as part of Baby Dee’s backing band.

The new band will be called ‘Trembling …..???’ (i didn’t catch it all) and sounds an interesting avenue for a young artist with amazing talent and huge potential.

There’s a good interview with Alex in Stylus online magazine

Richard YoungsAutumn Response cover

Richard Youngs – Autumn Response

With the nights drawing in and temperatures (and leaves) falling it’s hard to think of a more appropriate musical accompaniment to the season of “mists and mellow fruitfulness” than Richard Youngs’ latest album (just out on Jagjaguwar Records).

It’s full of Keatsian melancholy and with the simple yet effective use of double tracked slightly out of synch vocals, Youngs also creates his very own ‘wailful choir’. Folk music is the touchstone here but Richard Youngs has never been one to be in thrall to tradition. The ambient experimental strands he weaves into the songs means they have more in common with New Weird America than Ye Olde England.

Although he was born in Harpenden, England, Youngs has been based in Glasgow, Scotland since the 1990s and the Celtic drone is a major influence on his prolific output. If you type in Youngs’ name into the Last.FM music search engine, practically all the ‘similar artists’ they list are stateside. However, there is one Brit they would do well to add and that is Roy Harper.

Harper is now in his 60s but his recent performance of his 1971 classic ‘Stormcock’ at Joanna Newsom’s recent Royal Albert Hall show alerted a new generation of listeners to how much this maverick voice shares with the neo-folk wave that has flourished over the past decade.

If you listen to Harper’s eloquent ‘When An Old Cricketer leaves His Crease’ from his 1985 album (titled ‘HQ’ in Europe) alongside Youngs’ elegant 16 minute closing track (Something Like Air) you hear the same wistful mood and the nasal tone of one half of the vocals means that this could easily pass for a duet with Harper.

This beautiful track with its simple, repeated chords is hypnotic in its minimalism – a quality presented in more condensed form on the preceding tracks where 5 of the 9 songs clock in at under 3 minutes.

With this album, Richard Youngs continues to match quantity with quality and to seal his reputation as one of the most genuine performers on the planet right now.