Tag Archive: Robbie Basho


YAIR YONA – A NEW ROSE

“I have now heard – but am powerless to describe – reggae elevator music”. So wrote David Foster Wallace about his experiences aboard a Caribbean cruise liner in his marvellous essay ‘ A supposedly fun thing I’ll never do again’ .

Another first for DFW was noted : “I have heard people in deck chairs say in all earnestness that it’s the humidity rather than the heat”.

 Israeli acoustic guitarist Yair Yona chose the title for the track It’s Not The Heat (It’s The Humidity) based on his experience of living in Tel Aviv.

I discovered Yona’s music by chance after reading his open letter to Jack Rose written on his Small Town Romance blog which for me remains the best tribute about the late great man.

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Fahey, Bishop & Blackshaw

acousticIt’s a fair bet that any solo acoustic guitarist on the indie/underground circuit will at some time or other be compared to John Fahey.  Montreal based Harris Newman made the perceptive comment that since Fahey experimented with so many different styles and “did everything at one time or another”, anybody who plays instrumental guitar could conceivably be compared is him.

This partly reveals the exalted status of Fahey’s work but ,sadly, also reflects the lack of imagination or understanding of many music critics.

One of the main problems is that it assumes an uncritical reverence for Fahey’s complete output that not all artists share. Harris Newman himself said “I hate about a quarter of his catalogue, am ambivalent about a half of it, and think that about a quarter of that is among the best music ever recorded”.

Two guitarists who are used to being likened to Fahey are London-based James Blackshaw and Seattle born Sir Richard Bishop.  While both have made no secret of their admiration for Fahey, if you expect to hear clear evidence of this on their latest releases, you’re in for a disappointment. Continue reading

ALBUM COVER

Up until now, Ben Reynolds‘ solo albums have been a mixed bag.

Drone orientated pieces with titles like ‘O Time Thy Pyramids'(on ‘O Joy & Beyond) or ‘The Bard’s Vision Over Stinking Fires’ (on ‘Silver Songs’) left little doubt of his skills or his experimental intentions but somehow lacked a real heart, coming across too often as exercises in style rather than genuinely expressive.

They are interesting and sporadically striking works but Reynolds’ personality seemed strangely hidden.

This cannot be said of his beautiful new album – ‘Two Wings’ out now on Strange Attractors Audio House. Continue reading