Archive for February, 2013


EDCMOOC WEEK 3 IMAGE ACTIVITY

In week 3 of the E-Learning & Digital Cultures MOOC .  students have been invited to create an image that represents any one of the themes encountered in the course so far.

I’m not entirely sure if cropping my Flickr photos counts as being sufficiently creative but I’ve been going through my past shots of graffiti and street art looking picture that fit this category.

My favourite is this one I took in a side street in Ravenna, Italy which I think serves to counter balance the dystopian notion that machines are taking over our world.

if robots are invested with human characteristics, perhaps they can feel lonely too.

This yellow bot certainly looks isolated and in need of love.

Perhaps the true fear we should address is not  that machines are becoming too powerful but that human beings are too distrustful of the idea that technology can be a force for good.

JULIAN BARNES: THE END IS NIGH

THE SENSE OF A ENDING by Julian Barnes (Vintage Books, 2012)

This is a novel about memory and the need we all have to create personal narratives that show us in the best light.

Aside from eliminating bad memories, the brain can play tricks on us by blanking out or reconstructing embarrassing or painful things from the past we’d prefer to forget.

This is the fictional fate of Tony Webster, whose life we follow from the idealistic arrogance of his youth to the resigned acceptance of a relatively uneventful life upon entering what sociologists and Saga travel company would call the ‘third age’.

In these twilight years , as a lonely, retired and divorced citizen, Tony  comes to the realisation that he is not, after all, in control of his destiny and forced to concede: “we muddle along, we let things happen to us”. Continue reading

Yesterday I wrote how impressed I had been by Clay Shirky’s blog article about the rise of Massive Open Online Courses (MOOCS) and the implications these have for ‘traditional’ educational establishments.

This article (‘Napster, Udacity, and the Academy’) is part of the reading resources for Week 2 of the Coursera MOOC ‘E-Learning & Digital Cultures’ being run by the University of Edinburgh.

In the interest of balance, the course organisers have also included a link to a critique of Shirky’s piece. This is by Aaron Bady, a doctoral candidate in English literature of the University of California and was published online in December 2012 by Inside Higher Ed.

Bady’s criticism is lamely argued and contains a series of misreadings of Clay Shirky’s article. For example Bady writes that “Shirky talks dismissively about his own education at Yale” whereas Shirky is at pains to praise Yale’sincredible intellectual community where even big lectures were taught by seriously brilliant people”.

It suits Bady’s misguided argument to brand Shirky as someone with a “vested interest in arguing the benefits of radically transforming the academe”. In other words, the charge is that he has an axe to grind against educational establishments that fail to move with the times. The absurd suggestion here is that Shirky is not being transparent and bent solely on heaping unwarranted praise on MOOCS. Continue reading

MOOCS AND METAPHORS

For week two of the Massive Open Online Course (MOOC)  – E-learning & digital cultures, students are asked to look into the crystal ball and imagine what the future holds for technology, language  and society.

The resources include a brilliant blog article by Clay Shirky likening the seemingly unstoppable rise  of MOOCs to the way MP3s (and Napster) transformed the way we consume and listen to music.

Even if you have no interest in subscribing to a MOOC, I’d urge you read this entertaining and informative piece.

A less happy choice of resource is that of the core text by graduate student, Rebecca Johnston, from Texas Tech University. When compared to Shirky’s sharply argued writing style this is as dull as dishwater.

In the course discussion forum, I explained why I this was a poor choice. I’m posting my gripes here too as a way of getting them completely off my chest: Continue reading

THE BEST OFFER (La migliore offerta) directed by Giuseppe Tornatore (Italy, 2013)

The current wiki succinctly provides viewers with the bare bones of the plot of this movie by describing it as the story of “a loveless elderly man [who] intersects with an astute young man and a mysterious woman in a central European setting”.

The elderly man in question is named Virgil Oldman (‘old man’ – geddit?) and the unspecified city is probably Florence. This setting must make the fact that everyone speaks English in the original a bit weird although is less odd in the version dubbed into Italian that I saw.

Oldman is played with panache by Geoffrey Rush. He is an eccentric and mega-wealthy art dealer /auctioneer and a lifelong collector of women, albeit those safety contained on canvas and depicted by the world’s greatest portrait painters. Flesh and blood females are more of an issue and he’s not really a people person at all.

Continue reading