Tag Archive: Graffiti


EDCMOOC WEEK 3 IMAGE ACTIVITY

In week 3 of the E-Learning & Digital Cultures MOOC .  students have been invited to create an image that represents any one of the themes encountered in the course so far.

I’m not entirely sure if cropping my Flickr photos counts as being sufficiently creative but I’ve been going through my past shots of graffiti and street art looking picture that fit this category.

My favourite is this one I took in a side street in Ravenna, Italy which I think serves to counter balance the dystopian notion that machines are taking over our world.

if robots are invested with human characteristics, perhaps they can feel lonely too.

This yellow bot certainly looks isolated and in need of love.

Perhaps the true fear we should address is not  that machines are becoming too powerful but that human beings are too distrustful of the idea that technology can be a force for good.

FAREWELL TO LONDON

Today is the last full day of my mini break in London.

This street art in Brick Lane sums up my mood:


I can never walk past some good street art (graffiti is too crude a word) without taking a photo and this is one great example from what would otherwise be an nondescript wall in Ravenna, Italy.

See my Flickr link for other shots from the same location.

BANKSY’S CARDINAL SIN

If I were a curator of an art gallery I would be very wary if a man claiming to be Banksy phoned to say he wanted to donate an exhibit.

The first question would be: is this a hoax? Then, if it could be established that this really was the enigmatic street artist, I would want to be reassured that the gallery wasn’t being taken for a ride. Banksy’s recent film for Channel 4, Antics Roadshow, showed that he is an admirer of pranks and anarchic publicity stunts designed to show up establishment figures and ‘straight’ institutions.

I’m sure there were plenty of behind the scenes debates surrounding Banksy’s adapted sculpture entitled Cardinal Sin but, to their credit, Liverpool’s Walker Art Gallery have agreed to display the piece alongside 17th century religious art and ride out the possible backlash.

In comments to the press, gallery representatives have adopted an objective stance over the issue of child abuse that lies behind the artwork.  Reyahn King, director of art galleries at National Museums in Liverpool states merely that: “it is part of an artistic tradition to show art that challenges people”.

Secretly though, I am convinced that they actually endorse Banksy’s critique of the Roman Catholic Church. The bust makes a powerful image which symbolises the church’s reluctance to name and shame its paedophile priests.

Instead of the Cardinal’s face, we see only small bathroom tiles which make it resemble the type of pixelated image you see on the evening news when there is a need to protect a person’s identity e.g. kids of movie stars, suspected criminals, rape victims etc.

The point Banksy is making is that high ranking church officials who are guilty of sin can remain anonymous even though they are not vulnerable, innocent or deserving of official protection. In this way he is highlighting the fallibility and culpability of the papacy. As Banksy says: “At this time of year it’s easy to forget the true meaning of Christianity – the lies, the corruption, the abuse”.

STEP WITH INTENTION

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I’m currently using this photo of graffiti I took in Portland as my screensaver image – a real work of art by person(s) unknown. It’s located off Hawthorne in a side street opposite  Ben & Jerry’s if memory serves me well. A great advert for an area which a brochure describes as a “popular and eclectic close-in neighborhood known for its mix of funky counter-culture with a vibrant bohemian flair”