Tag Archive: Quentin Tarantino


THE TURKEY OF MONTANA

MONTANA directed by Jennifer Leitzes (USA, 1998)

montanapshWhen a great actor dies, particularly in tragic circumstances, there’s an understandable temptation to praise all his performances as epic and/or essential.

Philip Seymour Hoffman appeared in many fine movies but all actors must live (and die) with their share of turkeys.

Put another way, for every Capote there will always be a Montana.

This movie is billed as a gangster comedy but this Tarantino for dummies misfires on every level.

Robbie Coltrane is the most unconvincing bad guy boss ever and his band of criminal misfits only succeed in shooting each other.

Hoffman is cast as Duncan, a scheming but inept accountant, a part he’s well suited for if he had a half way decent script. But the screenplay is dreadful, the characters are wooden and the soundtrack is hideous. These are impossible odds to overcome.

If you Google the director’s name you’ll find that Jennifer Leitzes now runs a designer jewelry company –  a career move I entirely approve of.

RICHIE HAVENS’ UNCHAINED FREEDOM

There’s a song by Anthony Hamilton called ‘Freedom’ on the  official soundtrack album to Quentin Tarantino’s Django Unchained but one notable absence from the disc is the song with the same title by Richie Havens.

This was performed at Woodstock in 1969 and, so the story goes, was a spontaneous, unrehearsed outpouring of passion and inspiration.

Havens was the first on the bill and as the other acts were late arriving he was asked to keep going to keep the crowd entertained. They say that necessity if the mother of invention, Havens was doubtless also helped by some chemical substances – whatever inspired the song it worked….. in spades.

DJANGO’S UNCHAINED VIOLENCE

DJANGO UNCHAINED directed by Quentin Tarantino (USA, 2012)

The men (and handful of women) who commit murder, behave savagely or revel in brutality have deep-rooted problems that are not triggered solely by exposure to the wrong kind of entertainment. This makes it all the more bizarre that the premiere of Django was delayed by the Weinstein Company in the wake of the school shootings in Newtown, Connecticut.

Both Tarantino and Samuel L.Jackson publically criticised this decision and the director was equally disdainful of Krishnan Guru-Murphy’s puritanical line of questioning in a recent Channel 4 interview.

Django Unchained is without doubt a violent movie but it is wildly misplaced to regard it as just a tasteless or gratuitous bloodfest. It borrows from exploitation-movies but it is far too intelligent and knowing to be treated as a common or garden splatter movie.

The scenes of cruelty and killings can even be justified in view of the subject matter and are surely mild compared with the actual treatment handed out to slaves in America.

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CHANNEL FOUR IN UTOPIA

Jessica Hyde (Fiona O’Shaughnessy) is a blast in Utopia

There are plenty of things to admire in Channel 4’s slick new drama Utopia written by Dennis Kelly. I won’t attempt a plot summary; suffice to say it involves a ‘MacGuffin‘ of global proportions and plenty of fuel for conspiracy theorists everywhere.

Episode 1 opened with two cold-blooded killers in a comic shop and closed with a gruesome torture scene. This level of brutality will put off the squeamish but this is really nothing we haven’t seen in any Tarantino movie or in The Coen Brothers’ No Country For Old Men. I don’t really see what all the fuss it about. It’s shocking, of course, but that’s the nature of violence whether on or off-screen. If it’s right for the story, and it is here, then it is justified. Continue reading

BREATHLESS PULP CINEMA

Dig the shirt, Richard!

Jim McBride’s remake of Jean-Luc Godard‘s French new wave classic ”À bout de souffle” was universally panned on release in 1983 . This partly explains why I’ve only just gotten round to seeing it .  It shows that you should never trust the critics.

It may not work as an art movie but as pulp cinema it is brilliant and, call me superficial, but I have to agree with Quentin Tarantino and say that it surpasses the original.

Ok, it hasn’t got any of Godard’s then revolutionary directorial touches but McBride is no slouch as a filmmaker and knows exactly what look and feel he is going for.

While Godard’s movie now looks horribly dated and pretentious, McBride’s is hilariously absurd and highly watchable. The casting of Richard Gere as flashy Jesse Lujack was the masterstroke. Gere’s over the top performance is compelling in its exaggeration. He’s a jerk with no fashion sense but he has the swagger to carry off the part of the ‘live fast die young’ rebel to perfection. Continue reading