Tag Archive: Richard Gere


DAYS OF HEAVEN

I haven’t yet seen Terrence Malick’s Tree Of Life; I didn’t particularly want to see it in the dubbed Italian version so I’m still waiting for the official DVD release.

This delay is quite fortunate as it gives me time to plug gaps in my movie knowledge as I realised  that to my shame I hadn’t seen his earlier films The New World or Days of Heaven.

When I read critic David Thompson’s assertion that the latter is one of  the most beautiful films ever made  I decided that i needed to see at least this one.

When you consider how often Richard Gere in Pretty Woman gets repeated on TV, it is a sign of the dumbing down of culture that Days of Heaven doesn’t have a higher profile.

Gere is actually not that convincing in the part of a manual labourer with dreams of grandeur, he’s just too clean-cut. Sam Shepherd as the lonely farmer plays his part in a restrained manner.

What makes it such a marvellous movie is not the individual performances but the way Malick evokes the setting (the Texas panhandle in 1916 to be specific).

The landscape  is beautifully photographed by Nestor Almendros and  Haskell Wexler and this, plus the inspired editing makes the movie a sublime work of art. Continue reading

BREATHLESS PULP CINEMA

Dig the shirt, Richard!

Jim McBride’s remake of Jean-Luc Godard‘s French new wave classic ”À bout de souffle” was universally panned on release in 1983 . This partly explains why I’ve only just gotten round to seeing it .  It shows that you should never trust the critics.

It may not work as an art movie but as pulp cinema it is brilliant and, call me superficial, but I have to agree with Quentin Tarantino and say that it surpasses the original.

Ok, it hasn’t got any of Godard’s then revolutionary directorial touches but McBride is no slouch as a filmmaker and knows exactly what look and feel he is going for.

While Godard’s movie now looks horribly dated and pretentious, McBride’s is hilariously absurd and highly watchable. The casting of Richard Gere as flashy Jesse Lujack was the masterstroke. Gere’s over the top performance is compelling in its exaggeration. He’s a jerk with no fashion sense but he has the swagger to carry off the part of the ‘live fast die young’ rebel to perfection. Continue reading