Tag Archive: Paul Laverty


The truth to power of Ken Loach

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I, DANIEL BLAKE directed by Ken Loach (UK, 2016)

blakeIn part 12 of his illuminating Channel 4 documentary series on The Story Of Film, Mark Cousins focused on notable directors from around the world like John Sayles in the US and Krzysztof Kieslowski in Poland who were prepared to stand up for worthy, though unfashionable, political causes.

The connecting theme was what Cousins frequently referred to as ‘speaking truth to power’, a phrase that originated with the Quaker movement in the 1950s and was later adopted in the United States as a rallying call to those opposing the dark forces of Fascism and totalitarianism.

For half a century, Ken Loach has followed this principle by being a voice for the dispossessed and downtrodden in society. He opposes the political establishment that serves the masters yet ignores the slaves. He stands against systems which sustain the healthy and the wealthy but provide little nourishment to the poor and needy. Continue reading

SUPPING WITH THE ANGELS

THE ANGEL’S SHARE directed by Ken Loach (Scotland, 2012)

I’m getting a bit tired of Ken Loach movies. He’s like the Woody Allen of British cinema prolifically churning out film after film using the same production team; never worrying too much whether he is being in or out of fashion. And like Allen, his best work is behind him.

The recurring theme of his oeuvre is that a working class hero is something to be and if you want to be hero you have to follow the example of the lead character.

The problem with his latest movie is that you also have to be prepared to accept that a vicious hooligan can turn over a new leaf, become a whisky connoisseur and make enough money to start a new life. To believe this unlikely scenario it doesn’t pay to analyse the story too closely. Continue reading

KEN LOACH BREAKS LIKE THE WIND

THE WIND THAT SHAKES THE BARLEY directed by Ken Loach (Ireland, 2006)

Ken Loach says “if we tell the truth about the past, we will have the truth about the present” but when strong emotions are stirred and the social and political stakes are so high, defining ‘the truth’ is no simple task. Undeterred, simplification of the issues is what Loach and scriptwriter Paul Laverty attempt in this movie.

The film takes its title from a mournful 19th Century ballad  and won the Palme D’Or at Cannes but met with vitriolic attacks in the British tabloids, many of the fiercest critics being those who hadn’t even seen the movie.

Set in County Cork in 1920, it begins with the birth of the IRA as a revolutionary movement and ends with the Anglo-Irish Treaty of 1921 and its immediate aftermath.

I’m not sure if Loach and Laverty were directly motivated by the feminist slogan ‘the personal is political’ but in portraying how ordinary people can turn into revolutionaries there’s no doubt that the aim here is to show politics in personal terms. Continue reading

BLOCKBUSTER BATCH

Four DVDs for 11 euro – you get 5 nights to watch. As the march of Blu-Ray continues and DVD retail prices plummet the days of these offers (and probably Blockbuster itself) are numbered.
I’m happy to take advantage while it lasts and my latest haul have all been rated as ‘fresh’ by the increasingly unreliable Rotten Tomatoes review site .The movies for my Blockbuster nights were ‘Julie & Julia’, ‘Searching For Eric’, ‘Up’ and ‘500 Days of Summer’.  Here, gentle reader, are my own freshness ratings : Continue reading