Tag Archive: Ken Loach


TUTTI CONTRO TUTTI directed by Rolando Ravello (Italy, 2013)

When it comes to enjoying films in a second language, comedy is the most challenging genre of all.

So much of humour is culturally bound that appreciating it is not just about linguistic ability. It is also often necessary to pick up on references to local customs, national celebrities and regional dialects.

The last of these was my big stumbling block with this movie. I was reassured when one Italian woman remarked  during the interval that some of the Roman lingo was hard to catch.

The deadpan quips from the character of grandfather always raised a laugh but I only understood about a quarter of them.

The film has elements of Ken Loach in the way it seeks to see the funny side of serious social problems; in this case unemployment, homelessness and immigration.

With the current economic crisis, tensions usually get directed at minority groups so it’s nice to see a film that tackles these subjects with a lightness of touch without belittling the issues. Continue reading

SUPPING WITH THE ANGELS

THE ANGEL’S SHARE directed by Ken Loach (Scotland, 2012)

I’m getting a bit tired of Ken Loach movies. He’s like the Woody Allen of British cinema prolifically churning out film after film using the same production team; never worrying too much whether he is being in or out of fashion. And like Allen, his best work is behind him.

The recurring theme of his oeuvre is that a working class hero is something to be and if you want to be hero you have to follow the example of the lead character.

The problem with his latest movie is that you also have to be prepared to accept that a vicious hooligan can turn over a new leaf, become a whisky connoisseur and make enough money to start a new life. To believe this unlikely scenario it doesn’t pay to analyse the story too closely. Continue reading

KEN LOACH BREAKS LIKE THE WIND

THE WIND THAT SHAKES THE BARLEY directed by Ken Loach (Ireland, 2006)

Ken Loach says “if we tell the truth about the past, we will have the truth about the present” but when strong emotions are stirred and the social and political stakes are so high, defining ‘the truth’ is no simple task. Undeterred, simplification of the issues is what Loach and scriptwriter Paul Laverty attempt in this movie.

The film takes its title from a mournful 19th Century ballad  and won the Palme D’Or at Cannes but met with vitriolic attacks in the British tabloids, many of the fiercest critics being those who hadn’t even seen the movie.

Set in County Cork in 1920, it begins with the birth of the IRA as a revolutionary movement and ends with the Anglo-Irish Treaty of 1921 and its immediate aftermath.

I’m not sure if Loach and Laverty were directly motivated by the feminist slogan ‘the personal is political’ but in portraying how ordinary people can turn into revolutionaries there’s no doubt that the aim here is to show politics in personal terms. Continue reading

BLOCKBUSTER BATCH

Four DVDs for 11 euro – you get 5 nights to watch. As the march of Blu-Ray continues and DVD retail prices plummet the days of these offers (and probably Blockbuster itself) are numbered.
I’m happy to take advantage while it lasts and my latest haul have all been rated as ‘fresh’ by the increasingly unreliable Rotten Tomatoes review site .The movies for my Blockbuster nights were ‘Julie & Julia’, ‘Searching For Eric’, ‘Up’ and ‘500 Days of Summer’.  Here, gentle reader, are my own freshness ratings : Continue reading