THE WIND THAT SHAKES THE BARLEY directed by Ken Loach (Ireland, 2006)
Ken Loach says “if we tell the truth about the past, we will have the truth about the present” but when strong emotions are stirred and the social and political stakes are so high, defining ‘the truth’ is no simple task. Undeterred, simplification of the issues is what Loach and scriptwriter Paul Laverty attempt in this movie.
The film takes its title from a mournful 19th Century ballad and won the Palme D’Or at Cannes but met with vitriolic attacks in the British tabloids, many of the fiercest critics being those who hadn’t even seen the movie.
Set in County Cork in 1920, it begins with the birth of the IRA as a revolutionary movement and ends with the Anglo-Irish Treaty of 1921 and its immediate aftermath.
I’m not sure if Loach and Laverty were directly motivated by the feminist slogan ‘the personal is political’ but in portraying how ordinary people can turn into revolutionaries there’s no doubt that the aim here is to show politics in personal terms. Continue reading








