Tag Archive: Dave Eggers


CARRIE & LOWELL by Sufjan Stevens (Asthmatic Kitty records, 2015)

It may be a bit early to name an album of the year but Sufjan Stevens’ elegiac seventh album will certainly take some beating.

It is a painfully sad yet breathtaking beautiful record written for and about his late mother, Carrie, who died of stomach cancer in 2012.

In the words of the opening song, Death With Dignity, “I don’t know where to begin”,  but ,suffice to say, I agree with Dave Eggers’s assessment of it as “an emotionally devastating masterpiece”.
Carrie’s death brought a sense of absence even though she was not a constant in her son’s life. She suffered from depression, schizophrenia, had bipolar disorder and was an alcoholic. On top of this, she also did drugs and had other substance abuse problems. It is not surprising that she was a difficult woman to get close to. Yet while the mother-son relationship was fraught and messy, these are songs of forgiveness not bitterness Continue reading

HOW MUSIC WORKS by David Byrne (McSweeneys, 2012)

how-music-works-david-byrne“What is it we’re talking about here?” David Byrne asks rhetorically on page 220 (out of 358) in a section headed ‘What is music?’

It is as though he is oblivious to the fact that this is what many would expect the whole of this book to be about.

To those expecting to find  straightforward answers to either of these two questions, all I can say is :  you don’t know David Byrne.

It is not that he is deliberately obtuse or willfully obscure, but he has never been an artist who puts much stock in simplifying complex ideas. The subtext is that the creative process itself is a mystery and it doesn’t do to be over analytical about it. Continue reading

WAITING FOR THE KING

A HOLOGRAM FOR THE KING by Dave Eggers (First published by McSweeney’s, 2012)

Dave Eggers is a person and a writer I admire a lot but I have to say that this is a strange, disjointed and largely disappointing novel.

Set in the present day, it follows the (mis)fortunes of an ageing salesman, Alan Gray, who is in Jeddah, Saudi Arabia heading up a small team of IT consultants. He, and his three younger assistants, work for Reliant “the largest IT supplier in the world”.

They are there to demonstrate, and hopefully sell, some state of the art “telepresence technology” – a virtual hologram mirage that gives the illusion that someone is physically present at a meeting when they are actually elsewhere.

The prestige client is the King of the King Abdullah Economic City (KAEC) a place described as “a city-to-be in a desert by the sea”.

The location is exotic and Alan is intrigued to be in some small way part of the ambitious plan to build a city in the desert – “he wanted to believe that a city rising from dust could happen”.

But waiting for the King proves to be like waiting for Godot, which presumably explains why Eggers’ chose a quote from Samuel Beckett as the novel’s epigraph – “It’s not every day that we are needed”. Continue reading

A VOTE FOR ACTION

Well, “a-wop bop-a loo-mop, a-lop . OBAMA-boom!!!!!”

What a relief  to wake up to the news of Obama’s victory!

I really feared for the future of America and the world had Romney been elected.

Writer Dave Eggers and music manager Jordan Kurland , two guys originally from Chicago, set up a website to compile 90 Reasons why Americans voted for Barack – these included :  “Because this is an election with existential implications” (Paul Simon) ;  “Obama still has some respect for the truth” (John Sayles) and  “Thanks to President Obama, nearly 50 million American women have access to contraception and preventive health services” (Isabel Allande).

My personal favourite came from David Lynch who wrote : “I have noticed something in Mitt Romney’s name, which I think speaks to what he is about. If you just rearrange a few letters, Romney becomes R MONEY. I believe Mitt Romney wants to get his Mitts on R Money. He would like to get it and divide it up with his friends, the Big Money Bunch”.

In his acceptance speech, Obama was right to emphasise that the future of America depends a lot on self government – on people taking responsibility for their own actions. But they also rely on governments and politicians and Obama has the mandate to prove that politics is not just “a contest of egos or the domain of special interests”  but about helping, not hindering, ordinary people to realise their hopes and dreams.

In the last four years I think he has been too cautious – there’s nothing to be gained form being reckless but he now needs to take more risks and show that the vision of the truly United States of American so eloquently expressed in his victory speech in Chicago is more than just rhetoric.

The vote today  is as he said himself , “a vote for action”.

I’m a big fan of Dave Eggers; both of his writings and his role as founder of the independent publishing house McSweeney’s. However, I didn’t actually know that he and his wife, Vendela Vida had written the screenplay to Away We Go when I saw the movie. I was drawn to it more through the fact that it was directed by Sam Mendes.

Everything in the film hangs on how you feel about the couple, Burt (John Krasinski) and Verona (Maya Rudolph) who are expecting their first child.

Feeling dissatisfied with their current home, they embark on a journey in search of the perfect place to lay down roots and start a family. The friends and relatives they meet in Phoenix, Tucson, Madison, Montreal and Miami mostly give examples of what not to do.

Burt’s a bit of a nerd, Verona is a practical, down to earth type. They are compassionate pair who are determined to put humanity before consumerism. What they want is for their daughter to grow up in a positive environment. With such  laudable principles, they should be characters you feel like rooting for I ultimately found their niceness quite irritating.

Eventually they end up settling for Verona’s old family home so could have saved time and money on the road trip.

There’s no real tension in the story and a curious absence of passion. Insipid Nick Drake style songs of Scottish singer-songwriter Alexi Murdoch add to the flat texture.

In Italy the movie was released as American Life, a title that reflect the apparent aim of giving a snapshot of U.S. views pertaining to family life. Since what we see are largely caricatures I was none the wiser about what these attitudes might be and therefore was left wondering what the point of the movie was.