Tag Archive: McSweeneys


WAITING FOR THE KING

A HOLOGRAM FOR THE KING by Dave Eggers (First published by McSweeney’s, 2012)

Dave Eggers is a person and a writer I admire a lot but I have to say that this is a strange, disjointed and largely disappointing novel.

Set in the present day, it follows the (mis)fortunes of an ageing salesman, Alan Gray, who is in Jeddah, Saudi Arabia heading up a small team of IT consultants. He, and his three younger assistants, work for Reliant “the largest IT supplier in the world”.

They are there to demonstrate, and hopefully sell, some state of the art “telepresence technology” – a virtual hologram mirage that gives the illusion that someone is physically present at a meeting when they are actually elsewhere.

The prestige client is the King of the King Abdullah Economic City (KAEC) a place described as “a city-to-be in a desert by the sea”.

The location is exotic and Alan is intrigued to be in some small way part of the ambitious plan to build a city in the desert – “he wanted to believe that a city rising from dust could happen”.

But waiting for the King proves to be like waiting for Godot, which presumably explains why Eggers’ chose a quote from Samuel Beckett as the novel’s epigraph – “It’s not every day that we are needed”. Continue reading

HOT BELIEVER QUOTE

Not much time for blogging today as I spent a hot and mostly bothered day in Bologna conducting interviews with prospective primary school English teachers in a poorly air-conditioned room. I was practically reduced to a blob

The one highlight of this day in the city was a visit beforehand to Feltrinelli’s international bookshop where I was pleased to find that they have maintained a section devoted to McSweeney’s publications. I bought the May 2012 edition of The Believer and found this quote from a ‘microinterview with author Jonathan Lethem :

I dislike new books. It’s like drinking wine that’s not ready. When my first novel was published – Gun, With Occasional Music – I insisted the jacket be made to look like it was old. The gimmick was that it was going to look like a pulp paperback, even though it was a brand new hardcover. I wanted to be a writer like Philip K. Dick or Charles Willeford, or some others I revered who’d been published only in these disreputable, ephemeral ways, and who you could find only in used-book stores. I wanted to be out of print even before I was in print”

I’m a big fan of Dave Eggers; both of his writings and his role as founder of the independent publishing house McSweeney’s. However, I didn’t actually know that he and his wife, Vendela Vida had written the screenplay to Away We Go when I saw the movie. I was drawn to it more through the fact that it was directed by Sam Mendes.

Everything in the film hangs on how you feel about the couple, Burt (John Krasinski) and Verona (Maya Rudolph) who are expecting their first child.

Feeling dissatisfied with their current home, they embark on a journey in search of the perfect place to lay down roots and start a family. The friends and relatives they meet in Phoenix, Tucson, Madison, Montreal and Miami mostly give examples of what not to do.

Burt’s a bit of a nerd, Verona is a practical, down to earth type. They are compassionate pair who are determined to put humanity before consumerism. What they want is for their daughter to grow up in a positive environment. With such  laudable principles, they should be characters you feel like rooting for I ultimately found their niceness quite irritating.

Eventually they end up settling for Verona’s old family home so could have saved time and money on the road trip.

There’s no real tension in the story and a curious absence of passion. Insipid Nick Drake style songs of Scottish singer-songwriter Alexi Murdoch add to the flat texture.

In Italy the movie was released as American Life, a title that reflect the apparent aim of giving a snapshot of U.S. views pertaining to family life. Since what we see are largely caricatures I was none the wiser about what these attitudes might be and therefore was left wondering what the point of the movie was.

DFW AGAIN – NO APOLOGIES

No apologies for another post about the late David Foster Wallace, whose tragic suicide at the age of 46 is still hard to take.

Just a few random shots really,  from restless surfing:

“To say that David Foster Wallace has had a profound influence on my life, the way I think, and the way in which I perceive the world, is an understatement”. – from The Howling Fantods : easily the best source for everything about DFW

“Timothy McSweeney is devastated and lost” – McSweeney Tendency header

“He illuminated the maze brilliantly, even if he couldn’t show us the way out”. New York Times article

And memorable words from the man himself:

“The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default-setting, the “rat race” – the constant gnawing sense of having had and lost some infinite thing” – From David’s speech to a graduating class at Kenyon College, 2005