Tag Archive: Ken Russell


Concluding my list of the fifty greatest British Cult Movies with my top ten of the most groundbreaking, mind expanding or just plain weird films. If I have left out, or down graded, your personal favourite feel free to comment or, better still, make your own list.

10. TRAINSPOTTING Danny Boyle (1996)

Irvine Welch’s superb novel was in sure hands for the transition to the big screen There’s a first rate cast which Boyle directs with real energy and dark humour to show the ups and downs of heroin addiction. Great music too, including Iggy’s Lust For Life and Underworld’s Born Slippy. The screenplay by John Hodge begins with one of the great ‘fuck the system’ monologues:
“Choose Life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, choose washing machines, cars, compact disc players and electrical tin openers. Choose good health, low cholesterol, and dental insurance. Choose fixed interest mortage repayments. Choose a starter home. Choose your friends. Choose leisurewear and matching luggage. Choose a three-piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit-crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself.  Choose your future. Choose life”.

9. JUBILEE Derek Jarman (1977)
JubileeMade before the first wave of British punk had played itself out this movie is, like the music that inspired it, crude and anarchic. Don’t even begin to look for any plot as this is impressionistic, instinctive cinema that sets its own rules. Adam Ant appears before he became a dandy highwayman and Jordan as punk ‘anti-historian’ Amyl Nitrite. Continue reading

images-albums-Magdalena_Solis_-_Hesperia_-_20110303125039920.w_290.h_290.m_crop.a_center.v_topCinematic is an over-used adjective when it comes to describing music that is more concerned with creating an atmosphere than with straight song structures.

It is nevertheless an apt word for the enigmatic and unashamedly psychedelic experience of Magdalena Solis. Theirs is a soundtrack to a movie that that has not been made yet, but I’ll be first in line when it is.

The name is taken from that of a prostitute and serial killer who was also known as the High Priestess of Blood through her involvement in a blood drinking sex cult in Monterey, Mexico in 1963.

They released an EP early in 2010 called Lady of the Wild Things on Reverb Worship which you can download for free at Bandcamp. This might have been their one and only record if the independent label Dying For Bad Music had not stepped in to save the day.
This week sees the release of their second album Hesperia with a striking cover image of a woman who could either be in a state of sexual ecstasy or a victim of the Mexican blood cult (perhaps even both!).

It is beautiful in a strange other-worldly way and titles like ‘Crown Your Whores And Burn Your Kings’ and ‘Cities Crumbling Planets Growing’ prepare the listener for a full-on feed your head experience.

I was curious to find out more about the 21st century cult of Magdalena Solis and ‘Drikka’ kindly agreed to answer some questions via e-mail.

I presume (perhaps wrongly) that you are not serial killers or involved in ritualistic sex, so what is it about the real life Magdalena Solis that attracts you?

Serial killers no, ritualistic sex yes ha-ha. The story of the real Magdalena Solis attracted us because it had similarities with a screenplay I was writing at the time. The cocktail of Aztec gods, marijuana, group sex and rituals in the original story were very exciting and inspiring. In general we like the idea of a small group of people abandoning society and creating a universe of their own, freeing themselves from all codes and rules. It’s the perfect revolution and to me the only kind of revolution that can seriously change the course of mankind. So I guess that’s why we were so attracted to it and decided to use it as band name. We also simply liked the name cos ‘Solis’ has the root ‘sol’ (sun) in it. Continue reading

REWATCHING QUADROPHENIA

tumblr_olh6zqibfs1vl5jyeo1_500Phil Daniels stunning performance as Jimmy is so on the nose it’s hard to think of him in any other role. His career since has never reached such heights unless you think of a part in the soap opera Eastenders is any where near comparable.

I remember loving the movie when it first came out in 1979 and thought that it might have dated badly. Certainly, the riot police look as though they are equipped to sort out a scuffle in Camberwick Green rather than a set to between pumped up gangs of Mods and Rockers in the centre of Brighton. It’s noticeable too that scooter and motorbike riders are helmet-less but aside from these differences, the film still stands up pretty well. This is because it gives such a truthful representation of the confusions at the heart of youth culture. There’s also the hammy laugh out loud performance by Sting as the Ace Face.

Pete Townsend wrote three rock operas for The Who – a genre , like the dreaded concept album, that seems very much a 70s/80s Prog-Rock phenomenon. Tommy is over praised and I liked it even less after Ken Russell’s ridiculously OTT movie treatment. Lifehouse died a natural death although the best songs were salvaged for the excellent Who’s Next album. Quadrophenia is the one that, for me, really works. Great songs, unfussy production – the band captured at the peak of their powers.

Townsend has said that it is essentially the three minute single ‘My Generation’ expanded into a double album. What the record and the film do so well is map out the psychological minefield that Jimmy treads as he seeks desperately to belong to a gang/ group yet also wants to be an individual on his own terms. These twin needs become unresolvable and he becomes rejected by his parents for not being ‘normal’ and isolated from his peers because he taking everything so seriously. For them being a Mod is a bit of a laugh, for Jimmy it is his life.

It’s a tragic tale which Daniels humanizes and makes believable.