Tag Archive: My Generation


BACKTRACKING #8 : PATTI SMITH

Bite-sized posts about 7″ singles I own – shameless nostalgia from the days of vinyl.

Patti Smith – Gloria b/w My Generation (Arista, 1976)

This is a kind of brief postscript to yesterday’s review of  Just Kids.

In this book, Patti Smith wrote how she “wanted to infuse the written word with the immediacy and frontal attack of rock and roll”.

While her own poetic songs follow this path, she also proves the fulfilment of this objective with the pair of blazing covers on this single.

Van Morrison‘s Gloria (written while part of Them) is also the opening track on her sublime debut album Horses and is prefaced by her own ‘In excelsia deo’ poem with the memorable opening line “Jesus died for somebody’s sins but not mine”.

This could be taken as a defiant stand against religion, although personally I think she was hitting on the Church as an institution rather than rejecting the notion of faith. To her mind, Jesus should be big enough to take the hit anyway; as she says in Just Kids: “Christ was a man worthy to rebel against, for he was rebellion itself”.

Rebellion is certainly the mood of her demolition job of the Who’s song which uses the Mod classic as a framework for a frenzied blast of pure punk energy. She barely even bothers to sing the words as if to say ‘fuck it you know how it goes anyway’. It was recorded live in Cleveland on January 26th, 1976. The track did not appear on the original vinyl release of Horses but subsequently was added to the CD version. At one point, I’d swear she sings “I hope I die before I get ill’ which, if so, would scupper Townsend’s live fast-die young message. “We created it – let’s take it over!” – she declares enigmatically at the end.

She should have run for President!

REWATCHING QUADROPHENIA

tumblr_olh6zqibfs1vl5jyeo1_500Phil Daniels stunning performance as Jimmy is so on the nose it’s hard to think of him in any other role. His career since has never reached such heights unless you think of a part in the soap opera Eastenders is any where near comparable.

I remember loving the movie when it first came out in 1979 and thought that it might have dated badly. Certainly, the riot police look as though they are equipped to sort out a scuffle in Camberwick Green rather than a set to between pumped up gangs of Mods and Rockers in the centre of Brighton. It’s noticeable too that scooter and motorbike riders are helmet-less but aside from these differences, the film still stands up pretty well. This is because it gives such a truthful representation of the confusions at the heart of youth culture. There’s also the hammy laugh out loud performance by Sting as the Ace Face.

Pete Townsend wrote three rock operas for The Who – a genre , like the dreaded concept album, that seems very much a 70s/80s Prog-Rock phenomenon. Tommy is over praised and I liked it even less after Ken Russell’s ridiculously OTT movie treatment. Lifehouse died a natural death although the best songs were salvaged for the excellent Who’s Next album. Quadrophenia is the one that, for me, really works. Great songs, unfussy production – the band captured at the peak of their powers.

Townsend has said that it is essentially the three minute single ‘My Generation’ expanded into a double album. What the record and the film do so well is map out the psychological minefield that Jimmy treads as he seeks desperately to belong to a gang/ group yet also wants to be an individual on his own terms. These twin needs become unresolvable and he becomes rejected by his parents for not being ‘normal’ and isolated from his peers because he taking everything so seriously. For them being a Mod is a bit of a laugh, for Jimmy it is his life.

It’s a tragic tale which Daniels humanizes and makes believable.