Tag Archive: Charalambides


CHARALAMBIDES EXILE

I have never used the word in a real life conversation, but I can honestly say I am ‘stoked’ to hear that my all time favourite New Weird Americans, Charalambides are set to release a new album tomorrow on Kranky Records.

Exile comes four years since their last (Likeness) and marks twenty years of Tom and Christina Carter’s musical collaboration which has survived longer than their marriage.

Such is my enthusiasm that I’m even thnking of taking the unprecedented step of buying the 2LP vinyl version which contains two extra tracks.

According to Fluid Radio the album “drips authentically” and the Kranky blurb, promises “a tapestry of suppliant invocations directed at the heart of the unseen spiritual forces surrounding us”.

I’m not sure if I’ve ever experienced a ‘suppliant invocation’ when listening to their music but I am a huge fan of everything the Carters have put out either under the group name, as solo artists or in the numerous albums they have collaborated on.

I even set up a Last:fm group to see how many felt the same way. The answer is not many, judging by the low membership of, as I write  56,  but this is in keeping with their cult status.

Related links:
Exile reviewed at ‘Wears The Trousers
Exile album info on Brainwashed

LAST.FM LOVED TRACKS

I have has a Last.Fm account since 12th November 2004 and been a subscriber since April 2006.
At one time I never used the ‘Loved tracks’ feature but recently I’ve started clicking more regularly.

The recent selection shows Bob Dylan is still a dominant force with one original and two covers. I’ve also been listening a lot to Jeff Buckley having belatedly bought the legacy edition of Grace.

The Calexico and Charalambides tracks are long standing favourites and I don’t know why it has taken me so long to officially love them.

This is the list with links to Last.Fm track pages.
I Hate The Beach – Psychedelic Horseshit
The Cause Of Labour Is The Hope Of The World – Jóhann Jóhannsson
Lilac Wine – Jeff Buckley
Mama, You Been On My Mind – Jeff Buckley
North of Me (At Midday) – Fabio Orsi
Crystal Frontier – Calexico
Masters Of War – Bob Dylan
Dormant Love – Charalambides
Shelter From The Storm – Steve Adey
5 A.M.(tears below the freezing point) – Shugo Tokumaru

[p.s. If you use Last.Fm and like this blog, join the Animal My Soul group to show YOUR love]. 


DAVID KEENAN INTERVIEW

DAVID kEENAN

Interview with David Keenan

(Volcanic Tongue, Glasgow June 8th 2007)

David Keenan is credited with introducing the genre New Weird America into the public domain. It turns out Wire editor Tony Herrington came up with the term as a way to draw together the diverse set artists David was writing about for a cover feature about the Brattleboro Free Festival.

A lot of sounds have passed our way since then but the label has stuck and is as good a way as any to identify strands experimental music that don’t slot neatly into existing headings. Continue reading

CHEAT AMERIKIE

If you are looking for an album that illustrates why the music of the New Weird America continues to be fresh and relevant you won’t do better than the new album by Tom Carter and Christian Kiefer. it’s called ‘From The Great American Songbook’ and it’s out now on Preservation records.

This epic sounding title that refers us directly back to a folk-blues heritage but it is a strikingly modern record that deconstructs and augments public domain songs. You’ve never heart a version of Scott Joplin’s ‘The Entertainer’ like this.

My favourite track is Go Dig My Grave (Railroad Boy) which closes with these chillingly beautiful lines:
“Go dig my grave both wide and deep
Place a marble stone at my head and my feet
On my stone place a snow white dove
To tell the world that I died for love”

Tom Carter’s lap steel guitar work creates a haunting atmosphere – maybe he’s been fired up by the stunning solo albums by Charalambides partner (and ex-wife) Christina.

Christian Keifer is not so well known a figure (at least not to me) but his contribution here is flawless. He is apparently engaged on a project creating 43 songs for 43 American presidents and holds a PH.D in American Literature (eat your heart out Sufjan Stevens!).

This is the second album by the duo following on from last years limited edition ‘A Rather Solemn Promise’. Hopefully it won’t be their last. Highly recommended.

You can hear the album via Deleted Scenes Forgotten Dreams blogspot

masqueChristina Carter was born in Houston, Texas in 1968, and in 1991 became the co-founder of the renowned free-folk group Charalambides. More recently she has pursued a fascinating parallel career as a solo artist and collaborator using voice, guitar (both electric and acoustic) and piano.

Christina utilizes the spare single guitar/voice form found in much of the group’s music. Her music is brave and spiritually transporting and she is really on a roll at the moment having released two quite amazing albums this year already – Masque Femine (Many Breaths Cdr) & Texas Working Blues (Blackest Rainbow, cassette).

The bad news is that both are extremely limited editions, the former with a run of 80 copies, the latter 200. This means you have to be quick of the mark if you want a physical copy.

The good news is that the excellent music blog Microphones In The Trees have done a major public service in providing download links to both these albums. They certainly deserve to reach a wider audience.

The beauty of these small scale releases is that they allow greater scope for experimentation and capture moods in a spontaneous way.

Quite what target audience Christina has in mind for these recordings is impossible to say and I suspect she doesn’t care too much. To make polished, technically perfect versions is unnecessary since there’s no commercial objective here.

The tunes are like a highly personal musical diary. Christina experiments with ways in which her voice can capture her feelings in their rawest state. Texas Working Blues (6t – 49.33) is more similar to her work with Charalambides while Masque Femine (16t – 34.05) is a stunningly original work – only three tracks have any instrumental content and these have only the simplest strummed guitar as backing. The result is such an intimate listening experience that I feel I’m trespassing into a very private space.

The tracks are chiefly song fragments, not so much cover versions as half remembered tunes dealing mostly with lost or unrequited love. It is such a quietly compelling record in which her voice often breaks or falters. She constantly sounds on the verge of tears and barely able to summon strength for each line. The emotionally charged intensity she conveys is absolutely breathtaking.