Tag Archive: Carisport Cesena


FRANCESCO DE GREGORI –  live at Nuova Teatro Carisport, Cesena, Italy 8th April 2016

degregoriThis concert is part of the ‘Amore e Furto’ (Love and Theft) tour – a reference to the subtitle of the  ‘De Gregori Canta Bob Dylan’ album released in 2015.

Needless to say, a fair proportion of the show is devoted to songs from this record which does such a valuable public service to Italians, particularly those who know Dylan only on the basis of a few of his ‘greatest hits’. The translations were obviously a labour of love and do an exemplary job of conveying the quirky poetry and socio-political thrust of Dylan’s language.

tickets.jpgThe varied choice of covers are drawn from the full range of Dylan’s career, evidence of the 65-year-old Italian singer-songwriter’s long-standing adoration of ‘His Bobness’. (Evidenced by the fact that he has also shared the bill with Dylan on a number of occasions).

De Gregori wisely steers clear of the more obvious selections so, for instance, there’s no ‘Like A Rolling Stone’ or ‘Knocking On Heaven’s Door’. Inspired versions of Desolation Row (Via Della Povertà) and Not Dark Yet (Non è Buoi Ancora) reflect the inspirations of  beat language and the contemplations of mortality just as effectively. Continue reading

FRANCO BATTIATO + JOE PATTI’S EXPERIMENTAL GROUP : LIVE AT NUOVO TEATRO CARISPORT, CESENA 31st OCTOBER 2014

Franco Battiato at Cesena

Franco Battiato is an elder statesman of Italian popular music with a distinguished career spanning more than four decades. His standing and popularity remain high in spite of, or perhaps because of,  remaining slightly aloof from popular trends.

Many of his songs are commercial enough to appeal readily to mainstream tastes yet he always manages to be one step removed from the brash commercialism of pop or rock marketing.

This was the first time I had seen him in concert and while he has an image of being a serious even remote figure, on stage he exudes a warmth and refreshing lack of pretentiousness.

Battiato has the look of a priest although not one of the hellfire breed as he’s more likely to preach on the healing power of love than to lecture us about the sins of the flesh.

Italians call him ‘il Maestro’ (the teacher) reflecting the strong element of didacticism in songs which are steeped in the kind of mystic imagery of the kind you’d expect to find in spiritual texts. Continue reading