Tag Archive: Pink Floyd


A NEW DAY YESTERDAY by Mike Barnes (Omnibus Press, 2020)

book cover

The decision to undertake a full survey of Progressive Rock music in the UK up to the mid-1970s is as bold and bonkers a project as a band embarking on a triple concept album. Yet, it works for me.

Progressive (Prog) Rock evolved in the late 1960s and early 1970s as part of what Wiki defines as a “mostly British attempt to elevate rock music to new levels of artistic credibility”

Mike Barnes challenges the common prejudices surrounding this much maligned genre.

In setting the record straight, he immediately dispels the myth that Prog songs were mostly about wizards, elves and hobbits. He also shows that, contrary to common belief, bands were not universally trying to bridge the divide between classical music and rock. Rather, jazz, blues and psychedelia were key influences. Continue reading

DIFFERENT EVERY TIME – The Authorised Biography of Robert Wyatt – by Marcus O’Dair (Serpent’s Tail, 2014)

a wyatt bookI look for two things in a biography. Firstly, I like to learn something new and/or surprising about the subject; secondly, I want what I already know (or think I know) to be presented in a way that shares my enthusiasm. Marcus O’Dair‘s marvellous book scores top marks on both counts.

Based on extensive interviews with Robert Wyatt and most of the key people he’s worked with over the years, it is meticulously researched but never stuffy or overly academic.

The author (who is also a lecturer, broadcaster and musician) gives well-informed opinions but never seeks to force his point of view on the reader.

Robert’s story comes two parts – divided by the accident in 1973 that confined him to a wheelchair at the age of 28. Continue reading

FRANCO BATTIATO + JOE PATTI’S EXPERIMENTAL GROUP : LIVE AT NUOVO TEATRO CARISPORT, CESENA 31st OCTOBER 2014

Franco Battiato at Cesena

Franco Battiato is an elder statesman of Italian popular music with a distinguished career spanning more than four decades. His standing and popularity remain high in spite of, or perhaps because of,  remaining slightly aloof from popular trends.

Many of his songs are commercial enough to appeal readily to mainstream tastes yet he always manages to be one step removed from the brash commercialism of pop or rock marketing.

This was the first time I had seen him in concert and while he has an image of being a serious even remote figure, on stage he exudes a warmth and refreshing lack of pretentiousness.

Battiato has the look of a priest although not one of the hellfire breed as he’s more likely to preach on the healing power of love than to lecture us about the sins of the flesh.

Italians call him ‘il Maestro’ (the teacher) reflecting the strong element of didacticism in songs which are steeped in the kind of mystic imagery of the kind you’d expect to find in spiritual texts. Continue reading

BOYRACERS by Alan Bissett (Polygon Books, 2001)

Cover

“Like characters in a plotless novel, we race through night after night, story after story, film quote after film quote, eternity stretching out before us like an open road”.

The above quote may sound like a romantic dream, but this rambling, albeit entertaining, tale is set in Scotland not America so the symbolic open roads have a nasty tendency of going in ever decreasing circles or else ending up at brick walls.

The ‘boyracers’ of the title are groups of teens who race cars in industrial wastelands in the city and exemplify the speed of life which is a double-edged sword of excitement and terror. A kind of modern equivalent of the ‘chicken’ game played out in Rebel Without A Cause.

This is not the story of the racers themselves but of four young male onlookers whose beat up car named Belinda is not built for speed. The Falkirk friends are soccer mad Irn-Bru addicts in pursuit of any combination of sex, booze and rock’n’roll that they can find.

Continue reading

WELCOME TO THE FLOYD MACHINE

Pink Floyd …..NOT

I have lived a sheltered life.  Last week I saw my first ever tribute band.

Emilia Romagna’s very own Floyd Machine offered an Italianised version of Pink Floyd live at the Rocca Malatestiana, Cesena.

Tribute bands are a relatively harmless way of celebrating groups / singers who have died (either literally or metaphorically).

Even if relics of rock are still performing they will mostly play infrequently at soulless stadium venues and even if you do get to see them (as dots in the far distance) there is no guarantee they will play all the hits. Even worse, they may want to prove their artistic longevity by subjecting audiences to new material. Continue reading