Tag Archive: Tokyo


Perfect Days directed by Wim Wenders (Japan/Germany, 2023)

Up until now, my favourite toilet cleaner in popular culture has been Raymond Briggs’ ‘Gentleman Jim’, a cartoon character from 1980 who dreamt of breaking out of his humdrum existence and dead end job. In stark contrast, the character of Hirayama in ‘Perfect Days’, played brilliantly by Kōji Yakusho, is more than content to follow a daily routine that borders on a zen-like ritual as an employee of a Tokyo toilet cleaning company.

It helps that the facilities he works in are in a series of incredible buildings commissioned by the Nippon Foundation in 2018. This unique architectural project was coordinated by Yamada Akiko who set out to counter the image of public toilets as “dark, dirty, smelly and scary” places that were best avoided Through unfortunate timing, these buildings were completed around the time that the pandemic struck. Post lockdown, the esteemed German filmmaker Wim Wenders was asked if would be interested in making a documentary to publicise this enlightened initiative. He leapt at the chance but happily decided to turn the film into a work of fiction.

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The faces show extreme stress and fatigue like torture victims forced to endure hours of torment by their captors. Not surprisingly they are unwilling to be seen in such a vulnerable state but they have no means of stopping the photographer. The most they can do is hold up their hands in the classic ‘no publicity’ pose, close their eyes or stare blankly; one gives the finger but mostly the expressions are passive as if they are resigned to this ignoble fate, cogs in a system that packages humanity with such brutal indifference.

The subjects of these images are commuters on the Japanese metro shot by German-born photographer Michael Wolf. These are on display at this year’s Savignano Immagini Festival in Italy  and Wolf’s portfolio was easily the most striking of the exhibitions I saw.

The pictures were taken before the awful Tsunami in March and the subsequent radiation leaks from the Fukushima nuclear plant 170 miles away. Immediately after these tragic events Tokyo was reported to be a ghost town but the authorities state that things are getting back to normal.

By normal, I presume they mean a resumption of herding and packing workers in subway trains in this horrible fashion. Wolf’s photos give a  shocking and stark exposé of an overcrowded metropolis where commuters endure the same indignity as animals packed into trucks in readiness for a final journey to the slaughterhouse.

Three images from the exhibition at Savignano Immagini Festival