Tag Archive: Wim Wenders


Perfect Days directed by Wim Wenders (Japan/Germany, 2023)

Up until now, my favourite toilet cleaner in popular culture has been Raymond Briggs’ ‘Gentleman Jim’, a cartoon character from 1980 who dreamt of breaking out of his humdrum existence and dead end job. In stark contrast, the character of Hirayama in ‘Perfect Days’, played brilliantly by Kōji Yakusho, is more than content to follow a daily routine that borders on a zen-like ritual as an employee of a Tokyo toilet cleaning company.

It helps that the facilities he works in are in a series of incredible buildings commissioned by the Nippon Foundation in 2018. This unique architectural project was coordinated by Yamada Akiko who set out to counter the image of public toilets as “dark, dirty, smelly and scary” places that were best avoided Through unfortunate timing, these buildings were completed around the time that the pandemic struck. Post lockdown, the esteemed German filmmaker Wim Wenders was asked if would be interested in making a documentary to publicise this enlightened initiative. He leapt at the chance but happily decided to turn the film into a work of fiction.

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amour“Death is no different whined about than withstood” wrote Philip Larkin in his desolate poem Aubade. In other words, whether we live paralysed by fear or accept it, the grim reaper will get us one day.

For obvious reasons many prefer not to think too much about the subject at all and regard those who broach the D-word without good cause as morbid (“Can’t we talk about something more cheerful?”).

In movies the topic is widely viewed as box office poison. People go to the cinema to be entertained not to be reminded of their mortality.

This is why many will studiously avoid Michael Haneke’s ‘Amour’ like the plague. Haneke is known for turning a unflinching eye on ‘difficult’ subjects. In Funny Games we are forced to watch two sadistic psychopaths on a murderous mission, in Caché he exposes the guilty secrets that tear apart a well-heeled couple.

In ‘Amour’, the Austrian director presents the story of a woman who suffers a stroke which partially paralyses her and then another which takes away her ability to move or speak. Despite this trauma, it could be construed as a love story, hence the title, because of the way the stricken woman’s husband cares for her and tries to comfort her. Continue reading

What makes a great soundtrack?

The marriage of action with visuals?

The creation of a unique atmosphere?

The use of familiar music in an unexpected way?

The introduction to a genre or artist you’ve never heard before?

Any of these would work for me – you will very rarely find all in one movie but any one can make the difference between a good movie and an out-and-out classic.
Here is a list (with a few clips) of sixteen of my favourites in A-Z order.

Note : not one of them is by the ubiquitous Hans Zimmer!

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