Tag Archive: Ólafur Arnalds


DREAMING OF ICELAND

iceland

It’s 9.30 in the evening and the temperature is still over  30 degrees.  I take solace in my screen saver photograph  and nurture the dream that this time next year, if all goes to plan, I’ll be  where this was taken – Iceland.  Travelling to this country is top of my bucket list and I intend to spend a good part of the year doing some armchair travelling before taking the actual trip.

My soundtrack to get me in the zone is :

AWAKENING THE INFANT SPIRIT

In 2006, a Dutch filmmaker named David Kleijwegt  made a TV documentary called  The Eternal Children about the kooky sisters CocoRosie . It connected their music and petulant refusal to behave like sensible grownups with other musicians, including Devendra Banhart, William Basinski and Anthony & The Johnsons.

Six years on, something of the innocence and freshness of the New Weird America has faded but it seems to me that there are many artists who still want to preserve and promote a sense of childlike wonder both in the music they make and the tie-in visuals they commission. This is not so surprising when the alternative is the cynical adult marketing behind the crude bump and grind of MTV videos.

This fact struck me again when watching the  beautiful animation by Crush Creative to Jónsi‘s Gathering Stories, a song from the latest Cameron Crowe movie We Bought A Zoo.

You can see the same spirit pervading the images in Ólafur Arnalds’ Hægt, kemur ljósið (directed by Esteban Diácono) from the Icelander’s 2010 album: ‘…and they have escaped the weight of darkness’.

You can then compare these with an older tune – The Lake by Antony and the Johnsons,  a wonderful tune based on a poem by  Edgar Allen Poe and animated by Adam Shecter.

olafurSad tunes are not always about heartache and loss. Ólafur Arnalds wrote  a tune called Poland after a nightmare journey in Eastern Europe. The combination of bad roads, too much drink and not enough sleep was his inspiration. Similarly Ljósið, which has many online admirers swooning over its melancholy beauty, was originally written as a commission for a TV commercial for bath tubs. (The piece was subsequently rejected on the grounds that it wasn’t dumb enough to be used in an ad).

This background to these two tunes was freely conveyed to an adoring audience at Ravenna’s Rocca Brancaleone – a beautiful open air setting under the stars perfectly suited to Arnald’s delicate tunes. These anecdotes help to take some of the preciousness out of the music and defuse any exaggerated air of ethereal mystery behind the simple compositions. Continue reading