Tag Archive: CocoRosie


AWAKENING THE INFANT SPIRIT

In 2006, a Dutch filmmaker named David Kleijwegt  made a TV documentary called  The Eternal Children about the kooky sisters CocoRosie . It connected their music and petulant refusal to behave like sensible grownups with other musicians, including Devendra Banhart, William Basinski and Anthony & The Johnsons.

Six years on, something of the innocence and freshness of the New Weird America has faded but it seems to me that there are many artists who still want to preserve and promote a sense of childlike wonder both in the music they make and the tie-in visuals they commission. This is not so surprising when the alternative is the cynical adult marketing behind the crude bump and grind of MTV videos.

This fact struck me again when watching the  beautiful animation by Crush Creative to Jónsi‘s Gathering Stories, a song from the latest Cameron Crowe movie We Bought A Zoo.

You can see the same spirit pervading the images in Ólafur Arnalds’ Hægt, kemur ljósið (directed by Esteban Diácono) from the Icelander’s 2010 album: ‘…and they have escaped the weight of darkness’.

You can then compare these with an older tune – The Lake by Antony and the Johnsons,  a wonderful tune based on a poem by  Edgar Allen Poe and animated by Adam Shecter.

M.I.A KALA

MIA

Gwen Stefani’s skewed cheerleader chart hit ‘Hollerback Girl’ from 2004 was one of my guilty pleasures of that year. I loved the jerky rhythms and the semi jibberish of the lyrics (“It’s bananas!”). Great pop music in my book.

Now, the restless energy that fired this single is evident in the somewhat more street cred shape of Mathang ‘Maya’ Arulpragasm thankfully better known as MIA. She was born in London but planet hopped as the daughter of Sri Lankan political refugees, a fact evident in what she calls the “4th generation immigrant travel stuff” of her second album Kala just released on XL Recordings.

Of all the global locations referenced on the album, India is probably the most obvious non-Western one. That country’s Bollywood tradition feeds into what overall amounts to a kaleidoscopic global celebration of pop culture. It’s the type of high energy hip-hop that I’m sure the Cassady sisters would have loved to emulate as CocoRosie. The stark contrast between ‘Kala’ and the pretentiousness of ‘The Adventures of Ghosthorse and Stillborn’ is plain to hear.

MIA makes full use of digital technology but this is machine music with a heart, a mechanized sound that represents a display of choice rather than a decay of taste. It’s a brash and audacious statement of intent which shamelessly snatches and redeploys, among others, samples from Jonathan Richman’s ‘Roadrunner’, The Pixies’ ‘Where Is My Mind’ and The Clash’s ‘Straight to Hell’. The resulting mash-up is a tad bananas but so smart and sassy that she pulls it off with style.

Despite the line on Paper Planes “All I want to do is take your money” Kala seems less concerned with product placement and more inspired with the desire to show some attitude.

You can see and hear MIA performing tracks off this album on KCRW’s ‘Morning Becomes Eclectic’ .