Tag Archive: William Basinski


AWAKENING THE INFANT SPIRIT

In 2006, a Dutch filmmaker named David Kleijwegt  made a TV documentary called  The Eternal Children about the kooky sisters CocoRosie . It connected their music and petulant refusal to behave like sensible grownups with other musicians, including Devendra Banhart, William Basinski and Anthony & The Johnsons.

Six years on, something of the innocence and freshness of the New Weird America has faded but it seems to me that there are many artists who still want to preserve and promote a sense of childlike wonder both in the music they make and the tie-in visuals they commission. This is not so surprising when the alternative is the cynical adult marketing behind the crude bump and grind of MTV videos.

This fact struck me again when watching the  beautiful animation by Crush Creative to Jónsi‘s Gathering Stories, a song from the latest Cameron Crowe movie We Bought A Zoo.

You can see the same spirit pervading the images in Ólafur Arnalds’ Hægt, kemur ljósið (directed by Esteban Diácono) from the Icelander’s 2010 album: ‘…and they have escaped the weight of darkness’.

You can then compare these with an older tune – The Lake by Antony and the Johnsons,  a wonderful tune based on a poem by  Edgar Allen Poe and animated by Adam Shecter.

A SYMPHONY IN DECAY

Decay, loss and impermanence are the themes of Bill Morrison’s excellent documentary movie Decasia – The state of  decay  which I watched today.

Made in 2001, this is a hymn to the slow process of decomposition in movie archives. With analogue film, this is a gradual process whereas with digital there is no deterioration, just loss when ‘1’s becomes zeroes.

The connection is a human one; the film stock is degraded to the point that it all but completely destroyed. Out of organic, amoeba-like blobs you glimpse shots of places and people without any context – the only link between the images is that they are all decaying before our very eyes.

In many ways it’s like a visual equivalent of William Basinski’s ‘The Disintegration Loops’, where magnetic audio tape was destroyed while being transferred to a digital format.

The score to Morrison’s film couldn’t be more different , however. It is a pulsating, mesmerising work by Michael Gordon vaguely reminiscent of Philip Glass’ score for Koyaanisqatsi.

The film is well worth seeing if only as a reminder that what survives can only be properly understood by what is lost.