Tag Archive: Cameron Crowe


What is wigging?

singles imagesAmerican English often seems like a foreign language to an English man of a certain age  such as your truly. 

I recall, for example, struggling to get to grips with this  dialogue exchange from the Rom-Com  ‘Singles’ (Cameron Crowe, 1992):

STEVE – Do you realize, Janet, that in modern society there is almost no need to leave the house?

JANET -At all. Steve, you’re wigging.

STEVE – I’m not wigging. What, you think I’m wigging?     

JANET  This is hang time. I’m just… I’m just regrouping.

What is wigging?

Here’s a definition I found online:

“Wigging or The Wig is simply the state of an individual who is uncertain on ‘what’ is happening to them during the transition of apparent reality to the realm or identity of another reality. In short, it is You, the spirit getting back in communication with the Higher Self, all along protesting the Connection because You are trying to ‘hold on’ to your human valence. Just relax, breathe deep and focus on positive thoughts; love, peace, harmony, joy and serenity. When You connect the wigging will stop”. (Source : Urban Dictionary)

I’m still not sure I fully understand!

AWAKENING THE INFANT SPIRIT

In 2006, a Dutch filmmaker named David Kleijwegt  made a TV documentary called  The Eternal Children about the kooky sisters CocoRosie . It connected their music and petulant refusal to behave like sensible grownups with other musicians, including Devendra Banhart, William Basinski and Anthony & The Johnsons.

Six years on, something of the innocence and freshness of the New Weird America has faded but it seems to me that there are many artists who still want to preserve and promote a sense of childlike wonder both in the music they make and the tie-in visuals they commission. This is not so surprising when the alternative is the cynical adult marketing behind the crude bump and grind of MTV videos.

This fact struck me again when watching the  beautiful animation by Crush Creative to Jónsi‘s Gathering Stories, a song from the latest Cameron Crowe movie We Bought A Zoo.

You can see the same spirit pervading the images in Ólafur Arnalds’ Hægt, kemur ljósið (directed by Esteban Diácono) from the Icelander’s 2010 album: ‘…and they have escaped the weight of darkness’.

You can then compare these with an older tune – The Lake by Antony and the Johnsons,  a wonderful tune based on a poem by  Edgar Allen Poe and animated by Adam Shecter.