Tag Archive: Jazz


WHIPLASH directed by Damien Chazelle (USA, 2014)

WHIPLASH“I wanna hear Caravan with a drum solo”  is a line, in the form of an aside, on The Mothers Of Invention’s’You’re Probably Wondering Why We’re Here’.

Frank Zappa’s wish is granted in spades for the finale of Whiplash although I doubt he ever envisaged it would look or sound anything like this.

The on-screen performance of this Jazz standard, made famous by Duke Ellington, is dominated by an extended solo by ambitious student Andrew Neiman (Miles Teller) who is determined to prove a point to his demanding music instructor Terence Fletcher (J. K. Simmons).

The solo seems to go on forever and we don’t get to see or hear the audience reaction; it wouldn’t surprise me if they had already gone home and left him to it!

The playing is so manic that it brings to mind the depiction of pianist David Heffcott’s mental breakdown during Rachmaninoff’s 3rd Concerto in the movie Shine. The obsessive, and bloody, practice sessions leading up to this climax are otherwise reminiscent of boxing movies like Raging Bull or Rocky. Continue reading

THE WIRE’S DIGITAL ARCHIVE

Steve Lacey on the front cover of the first issue of The Wire from Summer, 1982

Today, The Wire  announced that every back issue of the UK-based magazine is now available to  subscribers online and via the iPad, iPhone and Android apps.

You can peruse more than 350 issues which includes some issues that have been unavailable for up to three decades.

It’s hard to know where to start and I imagine that ,initially, I’ll be dipping into the archive on a fairly random basis.

I was interested to read the editorial in the first  issue  from Summer 1982, which gives an insight into how the remit of the mag has broadened; this states:  “The Wire’s brief will be to cover the field of contemporary jazz and improvised music – the happenings of now with a clear nod to its past greatness and wink at its possible future”.

The digital world that makes it possible to scan these back issues has also had a huge impact on the world of experimental music. Jazz still has a place in the current magazine but this has to compete with genres that include electronica, ambient, noise, weird folk and avant rock.

ITALY’S NEW WEIRD TARANTELLA

I wish I could say that living in Italy gives me a unique insight into aspects of the country’s underground music scene. Unfortunately, I do not move in such privileged circles so a lot of the time I, like anyone else, make discoveries by chance, more often than not in cyberspace. Continue reading

DAVID KEENAN INTERVIEW

DAVID kEENAN

Interview with David Keenan

(Volcanic Tongue, Glasgow June 8th 2007)

David Keenan is credited with introducing the genre New Weird America into the public domain. It turns out Wire editor Tony Herrington came up with the term as a way to draw together the diverse set artists David was writing about for a cover feature about the Brattleboro Free Festival.

A lot of sounds have passed our way since then but the label has stuck and is as good a way as any to identify strands experimental music that don’t slot neatly into existing headings. Continue reading