Tag Archive: Hitler


We live in a world increasingly dominated by likes or un-likes and surrounded by people to follow or unfollow. Although this was entertainingly dramatized in the Black Mirror episode ‘Nosedive’ ,  in reality it is no laughing matter. The grey areas in between these binary choices are marginalised to the point that there’s precious little space left for nuanced opinion.

When a film like Jonathan Glazer’s ‘The Zone of Interest’ comes along this limitation is a major problem.  The film is an accomplished, complex and uncompromising piece of work that left me awestruck, disorientated and a little numb. These are not reactions that can be summarised  by clicking a ‘like’ button.

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THE LAST OF ENGLAND directed by Derek Jarman (UK, 1988

                           

“It’s a love story with England. It’s not an attack. It’s an attack on those things that I believe personally are things without value.” Derek Jarman in an interview with Chris Lippard

Derek Jarman was a war child; conceived during the period of the London blitz and born on January 31st 1942. It is perhaps no surprise to find that the spectre of WWII dominates his imagination and helped inspire his surreal poetic documentary ‘The Last of England’ made in the Spring of 1987.  

Jarman was in his mid-40s when he completed the film which graphically depicts a post-war and post-apocalyptic urban wasteland.  While making it he was diagnosed as HIV positive. This illness was for him another battle which he waged publicly. He announced his diagnosis to the world rather than be shamed into silence. The full-blown AIDS virus would end his life prematurely six years later.

The contagion may have partly accounted for his rage but it was in him anyway. “Where’s hope? Have they killed it” are rhetorical questions asked in a movie. “Yes” comes the blunt reply. “And tomorrow?” the unseen speaker asks. The answer comes in the form of a quote from graffiti Jarman had seen scrawled on a wall in London’s Euston Road: “Tomorrow is cancelled due to lack of interest”.

This brief exchange is practically the only dialogue in a movie that evolved through improvisation; there was no screenplay. Aside from Jarman’s freeform poems (read by Nigel Terry) , most of the movie plays out without words. The director’s obscure diatribes offer few clues about his intentions.  They are more full of attitude than meaning. The critic David L.Hirst called the end result  “an apocalyptic roar of a movie.”

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I AM DYNAMITE – A LIFE OF FREDERICH NIETZSCHE by Sue Prideaux (Faber & Faber, 2018)

“I am not a man. I am dynamite” – ‘Ecco Homo, Why I Am Destiny’

fredItalian politician, journalist and all round trouble maker Giuseppe Mazzini once told Friedrich Nietzsche to “ban compromise”. This is the kind of reckless advice any libertarian, free-thinker is likely to lap up and act upon but it didn’t do Nietzche much good.

The German philosopher who died in 1900 aged 56 was certified insane for the last 11 years of his life and lived in a constant state of anxiety and sexual frustration before that. Continue reading

Son Of Saul: humanity vs barbarism

SON OF SAUL directed by Lázió Nemes (Hungary. 2015)
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How much of the horror of the holocaust can you stand to watch?

Newsreel footage can turn us all into passive voyeurs to humankind’s capacity for evil. On the other hand, however noble the intentions, turning history into cinema can reduce Nazi atrocities into entertainment.

Lázió Nemes’ remarkable debut avoids both pitfalls. You are never in any doubt about the barbarism at the heart of the story but the camera never dwells on the details. Continue reading

The power games of Denial

DENIAL directed by Mick Jackson (UK/USA, 2016)

denial1It is something of a paradox that in our fact check dominated world, liars and cheats continue to flourish.

A quick Google search will expose the most blatant of falsehoods but, as the campaigns of Brexit and Trump have proven, you can win votes simply by repeating lies ad infinitum.

Holocaust denier and credited British historian David Irving was and is a pants on fire specialist but he has never wavered from his position as a Hitler apologist. This film gives a clue as to what motivates him and how he is a potent (and pungent) example of someone who redefines the ‘truth’ to justify his own ends.

The movie is adapted from David Hare’s stage play which was in turn based on Deborah E. Lipstadt’s book ‘History On Trial: My Day in Court with a Holocaust Denier’.

At its centre is the Irving vs Penguin Books Ltd trial which took place in 2000 at the High Court of Justice in London and gave judgement on Irving’s claim that Lipstadt had made libellous statements against him in her 1993 book ‘Denying The Holocaust’. Continue reading