Tag Archive: Hippies


Jonathan Wilson’s hippy dream

RARE BIRDS album by Jonathan Wilson (Bella Union, 2018)
JONATHAN WILSON LIVE AT THE BRONSON CLUB, RAVENNA 20th April 2018

rare“There’s no fear, no hatred, no killers, no guns”. This is the hippy dream of Jonathan Wilson – songwriter, producer, musician and all round gentle spirit. It comes from a line in ‘Over The Midnight’, one of the many highlights from his latest feel good solo album ‘Rare Birds’.

Mellow LA vibes usually leave me cold but this record has really warmed my soul this year.

We are so resigned to expressions of cynicism and negativity that it takes music like this to remind us that it doesn’t necessarily have to be like this. Wilson admits that he wrote the ELO-esque ‘There’s A Light’ as a conscious antidote to the darkness that surrounds and inhibits us. Continue reading

BLACK FRIDAY – RECORD STORE DAY

Black Friday sounds like it should be a day to fear like Friday the 13th. In fact, the Friday following the official Thanksgiving holiday in the States is generally conceded as an extra day off work and is usually the busiest shopping day of the year.

This year, the day has also been nominated as Record Store Day (RDS). The actual RDS is the third Saturday of every April but this extra date has been added probably not with any real expectations of a boom in customers but more as an additional reminder that record stores still exist and are worth preserving. They serve a valuable social function that cannot be met by blogs, mail order sites and P2P file sharing. Continue reading

FEELING GROOVY

Ang Lee’s movie ‘Taking Woodstock’ has garnered mainly negative reviews but I found it a warm-hearted and intelligent study of this key event in America’s cultural history.

I guess many of the critics were disappointed that Lee made no attempt to capture the performances at the festival although I think he made the right decision here. If you want to see these, there’s already the concert film –  a fictional recreation would at best have been superfluous, at worst embarrassing.

What the movie centres on is the spirit of the times in what was the biggest be-in ever; a 3 day event that briefly seemed to symbolise a shift in the country’s mood away from cynicism and selfishness towards peace, love and understanding.

Viewed with the benefit of hindsight, the inclusion of Crosby, Stills, Nash & Young’s Wooden Ships on the soundtrack is portentous; set on its blissful course with “a fair wind, blowin’ warm”, these vessels turned out to be too fragile to bring about any significant social change.  Two decades on,  Neil Young would write “the wooden ships are a hippie dream” as the paradise got sucked into the machine. By then, Woodstock had met its anathema in the form of  Altamont and any lingering hopes that loving awareness would produce a new spirit of harmony and understanding were dashed.

Ang Lee doesn’t offer any rose-tinted rewriting of history but neither does he present the event from a cynic’s perspective.  He adopts a nostalgic reflection on the past and rightly recognises that this festival wasn’t so much about seeing the artists perform at the concert; but more about being part of the world’s greatest ‘happening’.

ORGASM ON ESP-DISK

Bernard Stollman – Founder of ESP

“ESP records is surely one of the strangest companies (and much of their product among the most elusive) in history”. So wrote Lester Bangs in his brilliant essay from 1971’s Creem magazine called ‘Do The Godz Speak Esperanto’ which can be found in the essential collection (and splendidly titled) Psychotic Reactions & Carburetor Dung.

In the age of digital downloads, the elusive part may no longer be true but ESP was ,and remains, a label that specialises in bringing strange music and recordings into the public domain. It has kept faithful to the principle that the artist alone should decide on the content.

The label was founded in 1960 by lawyer Bernard Stollman and originally continued until it ran out of funding in 1974. Reissues on CD were licensed to labels in Europe as ESP-Disk.  In 2005 ESP Disk of New York resumed manufacturing and is bringing out reissues, previously unreleased material and new releases.

Bangs went on to write  of the label: “Cloaked in mystery, inevitably issuing from New York City, they’ve recorded some of the greatest jazz and most unclassifiable idiosyncrasies of our time”.

The classic jazz includes names like Albert Ayler, Ornette Coleman, Pharoah Sanders, Charlie Parker and Billie Holiday.

Idiosyncracies include Nu Kantu En Esperanto (Sing Along in Esperanto) by Franz Jahger/Duncan Charters/Julius Balbin as well as those strongly linked to the hippy scene like Timothy Leary’s ‘Turn On, Tune In, Drop Out’.

Lester Bangs’ essay focused mainly on the Psych-Rock band The Godz who he describes as “the most inept recording band I’ve ever heard”, although he perversely is full of praise for their first two albums.

I returned to this essay because I was curious to read if Bangs made any reference to another notorious ESP release – Cromagnon’s ‘Orgasm’.

This album was originally released 1969 and has to be one of the single freakiest out there records of all time;  I can’t believe I haven’t come across it before.

It is all the more remarkable because while  the primitive animal like sounds and general mayhem are quite common in recent industrial noise, black metal and freak folk there was absolutely nothing to compare with it back in the 1960s.

It was, perhaps not surprisingly, the only album Cromagnon made and was the brainchild of a duo Brian Elliot and Austin Grasmere who up to then had produced bubblegum pop. When Bernard Stollman asked them what the theme of the record was, Elliot replied: “Everything is  one” and Stollman said, “Go do it.”

For their creation they called what they called their “Connecticut tribe” of seven like minded individuals.  Imagine the musical ‘Hair’ on a bad trip and you get some idea of the finished results!

There are pounding tribal beats, screams, groans, chants, sirens …..and bagpipes.  The latter feature on the album’s best known track, a pseudo-Scottish number called Caledonia.

The album was re-issued on CD in 2001 as Cave Rock, a title which makes it sound like a soundtrack to The Flintstones and prudishly directs attention away the sexual dimensions which are obvious from track names like ‘Ritual Feast of the Libido’ and ‘Genitalia’ .

Many have written this unique record off as an anomoly or as a sick joke but I think critic Raul d’Gama Rose (AllAboutJazz.com) hit the nail on the head when he wrote “Cromagnon’s exposé features the hypocrisy of society in the urban landscape. The pretense of living the bourgeois lie is all-pervasive throughout the record”.

I think Lester Bangs would have agreed.

Links: –

ESP-Disk official website.

ESP-Disk downloads from E music.

Orgasm on Nurse With Wound Blogspot

A PERSONAL A – Z OF SAN FRANCISCO

A is for ALCATRAZ

A must-see say all the guide books and they’re not wrong. An amazing slice of living history – the prison closed in 1963 – trip includes  an exemplary audio guide  . On the day I was there, a former in-mate was signing copies of his book in the gift shop, looking as if he’d be happier shut away in one of the cells. Continue reading