Tag Archive: Ang Lee


LIFE OF PI directed by Ang Lee (USA, 2012)

piHitting a financial crisis, a family from Pondicherry in India decide to cut their losses and move to Canada taking their zoo with them so that they can sell the animals to help support themselves. During the ship journey they encounter a violent storm and all die expect for a zebra, a hyena, an orangutan, Pi and a Bengal tiger. Eventually this lifeboat load is reduced to just Pi and the tiger.

It’s an eccentric story that a couple of decades ago could only have been brought to the big screen in a cartoon format. Now, technology has developed to the point that director Ang Lee has been able to call upon the expertise of  Rhythm and Hues Studios in California to conjure up remarkably lifelike images of wild animals, flying fish and the changing moods of the ocean.

This studio has previously worked on films like Cat & Dogs and Narnia but nothing from their previous works reaches such artistic heights. Ang Lee adds the poetry and panache to the template. With a CV that includes Hulk and Crouching Tiger, Hidden Dragon, he’s no stranger to studio trickery although the challenges here are on an unprecedented scale.

The effects are quite extraordinary and bring the tiger named Richard Parker to life. The shipwreck scene is also a breathtaking piece of pure cinema. Continue reading

FEELING GROOVY

Ang Lee’s movie ‘Taking Woodstock’ has garnered mainly negative reviews but I found it a warm-hearted and intelligent study of this key event in America’s cultural history.

I guess many of the critics were disappointed that Lee made no attempt to capture the performances at the festival although I think he made the right decision here. If you want to see these, there’s already the concert film –  a fictional recreation would at best have been superfluous, at worst embarrassing.

What the movie centres on is the spirit of the times in what was the biggest be-in ever; a 3 day event that briefly seemed to symbolise a shift in the country’s mood away from cynicism and selfishness towards peace, love and understanding.

Viewed with the benefit of hindsight, the inclusion of Crosby, Stills, Nash & Young’s Wooden Ships on the soundtrack is portentous; set on its blissful course with “a fair wind, blowin’ warm”, these vessels turned out to be too fragile to bring about any significant social change.  Two decades on,  Neil Young would write “the wooden ships are a hippie dream” as the paradise got sucked into the machine. By then, Woodstock had met its anathema in the form of  Altamont and any lingering hopes that loving awareness would produce a new spirit of harmony and understanding were dashed.

Ang Lee doesn’t offer any rose-tinted rewriting of history but neither does he present the event from a cynic’s perspective.  He adopts a nostalgic reflection on the past and rightly recognises that this festival wasn’t so much about seeing the artists perform at the concert; but more about being part of the world’s greatest ‘happening’.